| [LIGHT | DARK] | NAVIGATE: ⇩ CRITICALLYTOUCHED.COM |
|
| home | reviews | articles | links | discussion |
| Writer: | Rebecca Rand Kirshner |
| Director: | David Grossman |
| - | Quick Links |
| - | Review |
This is a fun, emotional, and moderately probing episode that unfortunately isn't consistently so. The first half or so along with the end of the episode are excellent and provide all kinds of important, memorable, and intriguing moments. All the stuff in between, though, is another story. I'll concede that the middle material is occasionally hilarious but, unlike "Something Blue" (4x09) for example, it just doesn't have very much depth or value. Did any of the memory-loss stuff propel any character arcs forward? No. Even for Willow, because it was her act of causing the memory loss that was the last straw for Tara. So, this episode marks one of those rare occasions where the main plot did not service the characters and, instead, we got it the other way around, played for (some admittedly fun) laughs. Because of this, I don't feel the plot works very well.
Since "Tabula Rasa" is so cleanly split into different parts, I'm going to talk about the pre-spell stuff and the post-spell stuff separately (exactly like the episode itself is structured) -- the former being the much meatier topic. It begins doing something that I never tire of and is extremely rare in television: good, solid, and immediate follow-up from the events of the previous episode. In this case it involves Spike running up to Buffy trying to pry her thoughts out on their big kiss in "Once More, with Feeling" (6x07). Buffy claims it was the spell and that it will never happen again, although we (and Spike) can see right through her words.
This episode-to-episode continuity continues strong when the Scoobies discuss the big news of Buffy's deathly whereabouts. Each person has a very unique reaction that's in character and still interesting. Willow says she was selfish (which is true), but then suggests another reckless action: doing a spell to make Buffy forget she was ever in heaven. This is typical of the way Willow's been doing a lot of things lately: using spells to make things better in uber quick time. A shame she didn't take what happened in "Something Blue" (4x09) to heart, but that's not where the character has been heading since then, which is the point. Although robbing Buffy of her heavenly memories would, in the short term, make her happier, it is completely side-stepping the real issues. Plus, heaven was a happy place, somewhere Buffy felt endlessly warm and loved. Even if that memory causes her pain by contrast now, it is still a huge sin to rob someone of knowledge, let alone happy knowledge. Buffy's traumatized enough. The Scoobies must suck it up and deal with the horrible decision they made in resurrecting Buffy, but Willow's not listening.
Tara's reaction is mute until Willow starts the undoing discussion. This is when Tara angrily bursts out "No! No more spells! ... God, what is wrong with you!?" She's been extremely clear of her opinion of magic and its proper use since she was introduced, but especially clear in S5 up until now. The fact Willow's completely ignoring her partner (while erasing her memory) combines to push Tara to threaten ending their relationship. Tara gives Willow one final chance to show she can live without this magic on a daily basis, and Willow fails nearly immediately while additionally screwing around with everyone's memories again and "fixing things to [her] liking." This episode shows just how much growth Tara's had since S4 and, while very sad to see, she's completely right to show this kind of individual strength.
Xander's opinion of Buffy's situation is probably the most intriguing of them all. Although he pretty much agrees they made a monumental mistake, I sympathize with him when he says he's having a hard time feeling bad that their friend is alive. While I have sympathy, it doesn't make his statement anything less than extremely selfish. Buffy's in awful emotional torment and pain because they made her 'alive' again. It's time for Xander to see the context of the situation. But as Anya will tell him in "Selfless" (7x05), "Xander, you've always seen what you wanted to." Here and throughout most of S6, this trait of Xander is in full effect until he is forced to see what is sitting right in front of his Xander-face. On the other end of the spectrum, Anya's reaction to this Buffy stuff is unsurprisingly superficial: harps and clouds. At least she keeps quiet and is understanding during the rest of the conversation.
Someone who sure didn't have a superficial reaction to the situation is Giles. His conversation to her about going back to England is just as heart-breaking as Tara telling Willow it isn't going to work out, if not moreso. Right or wrong, Giles has made his choice and Buffy isn't happy about it one bit, going as far as practically begging him to stay and telling him he's making the wrong decision. Both Buffy and Giles have valid respective points -- Buffy's being the emotional one and Giles' being the rational one. Although one may lean to be inclined to agree with Giles here, it's important to remember sometimes that we're all human beings with complex, powerful, and relevant emotions. Although our emotions should never rule our rational thought, the same must be said of the reverse. This whole situation, as pointed out in my "Once More, with Feeling" (6x07) review, is very complicated and, well, perfectly represents how real life actually is.
When Xander and Willow enter the Magic Box before the spell occurs Willow says, "Thanks for the jacket. It's cold out there." Xander replies with something incredibly subtext-filled in "Not a problem, the cold only makes me stronger and more macho-like." The cold only makes me stronger, huh? Don't I recall hearing Buffy saying something about touching the fire and it freezing her... about her friends not being able to face the cold? Didn't Angel grow stronger after hitting rock bottom and feeling "the cold" in "Reprise" (AtS 2x15)? I think we know the answer to all these questions is a big yes! This will be true of Buffy as well, but it will be a much longer, personally painful, and harrowing internal journey than Angel's in AtS S2 or, for that matter, anything else in the entire Buffyverse. This is also the exact reason why Giles is leaving, of which he's going to tell the group right after Xander's comment. I think we've just witnessed some more sublime writing!
At the Magic Box a big scene starts unravelling. Willow tells Buffy's she's sorry. Buffy's reaction is fitting: apologies don't help one bit for what the Scoobies did. Normally I'd be pissed that Willow's spell cut Buffy actually verbalizing her feelings out loud short, but in this case there's actually severe consequences from it, and not just for Willow. If Buffy had gotten out what she was trying to say, it would have been an important step to begin her healing process and things may have not dove into living hell for her after this episode. Interesting to think about.
Anyway, it's at this point in the episode where the interesting material starts to disappear. There's still a few things, though, that I find worth talking about. For one, the initial memory loss sequence is hilarious. Everyone seems to maintain their base feelings for one another. It's like the part of their memories that holds their acquired instincts is still there, and only their raw memories have been lost. The thing I find most fascinating about this entire process is how Buffy begins to stroke Dawn's hair again, something we haven't seen out of her since S5. This is a really nice little touch that reminds us that, yes, Buffy still deeply cares about Dawn, but her revived situation is overriding her normal feelings and reactions. It's also a hint that Buffy didn't "come back wrong" in the demon-y sense.
It's about at this point where the episode really starts to lose steam (and humor). The rest of the memory loss material -- the sewer chase and the Buffy/Spike combo fighting outside (aside from Spike's "I've got a soul!" speech) -- is quite boring. It's not until after everyone gets their memories back that I become interested in the episode again. When Buffy gets her memory back we see this huge contrast in feeling represented in only her face. Her fun time wailing on vamps with no memory is immediately dampened by this huge visible wave of depression and pain. In fact, being kicked repeatedly in the gut seems to hurt her much less than the emotional pain she's feeling.
Spike reaches his hand out to help Buffy up. She just looks at him with sickness, disgust, and confusion that is completely meant to reflect her feelings and choices up to this point. Those emotions -- sickness, disgust, and confusion -- are where these two are headed as soon as the next episode, so that look from Buffy says a lot. The ending song "Goodbye to You" by Michelle Branch is very obvious in meaning, but powerful nonetheless as we watch Giles flying away for good on a plane, Tara packing up her stuff and leaving Willow, Dawn in tears, Willow in the corner of her bathroom crying, and Buffy completely failing at listening to her feelings of disgust with herself while having an extremely passionate/hot kiss with Spike.
And so the extra complicated times begin! To sum this episode up, I enjoyed it a lot but felt that something was lacking. That something boils down to the disjointed and unsupportive nature of the main plot. The memory loss doesn't serve the characters very much and it doesn't show the audience (us) very much either. With that said, the rest of the episode, which is still a sizable chunk, is excellent and does offer up loads of development and assorted character-related goodies. So, like most plots that struggle but still have a lot of excellent material in the episode, this gets a B+.
| - | Minor Pros/Cons (+/-) |
| Pros: | |
| + | Buffy getting all jittery after throwing Spike on the ground. |
| + | The awesome visual of seeing the flame of Willow's spell burning transparently over a photo of Buffy in a happier time. |
| + | All the "Restless" (4x22) connections such as the shark "on land" and Spike being "like a son" to Giles. |
| + | Buffy calling herself Joan. |
| + | The group scream scene. Hilarious! |
| + | Buffy's super excitement over being uber strong. |
| + | Anya summoning endless bunnies. I just love that popping sound! |
| Cons: | |
| - | The "loan shark." Simply too silly. Thankfully it doesn't take up a big part of the episode. |
| - | The shark's minions getting uber cliched and annoying dialogue. |
| - | Foreshadowing |
|
| - | Quotes |
| SPIKE: | We kissed, Buffy. |
| BUFFY: | So? |
| SPIKE: | We... we kissed, you and me. All Gone With The Wind, with the rising music, and the rising... music, and what was that, Buffy? |
| BUFFY: | A spell? |
| SPIKE: | Oh, don't get all prim and proper with me. I know what kind of girl you really are. |
| BUFFY: | What we did is done. But I will never kiss you, Spike. Never touch you ever, ever again. |
| BUFFY: | (to herself) If I would just stop saving his [Spike's] life, it would simple things up so much. |
| DAWN: | Hurry up. You don't wanna miss the lowdown on our latest featured creature! |
| GILES: | We'll all get our memory back, and it'll all be right as rain. |
| SPIKE: | Oh, listen to Mary Poppins. He's got his crust all stiff and upper with that nancy-boy accent. You Englishmen are always so... Bloody hell! Sodding, blimey, shagging, knickers, bollocks, oh God! I'm English! |
| GILES: | Welcome to the nancy tribe. |
| BUFFY: | Any suggestions on how we're gonna get there? |
| SPIKE: | Dad can drive. He's bound to have some classic midlife-crisis transport. Something red, shiny, shaped like a penis. |
| WILLOW: | What did you just do!? |
| BUFFY: | Uh... I... I don't know. (slow smile) But it was COOL! ... I think I know why Joan's the boss! I'm like a superhero or something! |
| GILES: | Come down, and we will go about fixing this in a sensible fashion! |
| ANYA: | Sensible! You think it's sensible for me to go down into that pit of cotton-top hell, and let them hippity-hop all over my vulnerable flesh? |
| GILES: | Fine, then just stay up there and keep making bunnies! That's a capital plan! |
| ANYA: | What capital? I never know what you're talking about! Loo, shag, brolly, what the hell is all that!? |
| - | Score |
| 85/100 | B+ |
Just misses the mark of excellence. Essentially, a great episode that's rough around the edges and/or slightly flawed. Extremely fun to watch.
|
| - | Screencaps |
![]() | ![]() | ![]() |
| - | Comments (36) |
| 1. | buffyholicMay 16, 2007 (Wed) | |
| Love your review, mikejer. Although I would still give it a 90. I found it really hilarious, although it is no Something Blue and maybe I am a little corny but I liked the loan shark being a shark and his comments. Just one question: we know that Tara was right by leaving but if she thought Willow was using way too much magic, don`t you think she could have helped kick the habit instead of just giving her an ultimatum. Keep up the good work, Mikejer. |
| 2. | rickMay 16, 2007 (Wed) | |
| Mike, I agree for the most part that the middle part of the ep is a little slow, but I feel there's a little more than you allow for. To start, looking at the title of the episode, the memory-loss parts become more significant. Tabula Rasa was a term devised by John Locke to explain the empirical approach to human development. Denying any innate ideas or abilities (knowledge a priori, or knowledge prior to experience), Locke argued instead that we all start off tabula rasa (or as blank slates) and gain knowledge a posteriori (or through experience). What's important here for the episode is the question: "What if we could all start over." None of the troubles of S6 would need to be dealth with. Everyone could just run away from their pasts. Buffy could enjoy the thrill of her strenght, WIllow could relive the slow progression of her relationship with Tara, and Dawn could go back to the annoying, and here aggravatingly unrealistic, childishness. So yep, there are probs, but I do see a satisfactory connection there. And the look on Buffy's face when she realizes the truth is shocking. Why? Because we can't just start over. |
| 3. | rickMay 16, 2007 (Wed) | |
| Buffyholic, I would be as harsh on Willow as was Tara. The ultimatum was completely deserved. Tara had constantly tried to help Willow by telling her that the magic was "not good for [her]." But Willow ignores the warnings and continues to violate Tara. Tara, then, must now look out for her own well-being, as staying with Willow (or an alcoholic by extension) will endanger her own life, safety, or dignity. |
| 4. | Jake?!May 16, 2007 (Wed) | |
| Agreed Rick, I don't see how Tara really had a choice. As she says in OMWF, "I wish I could trust that it was just this once..." I can only begin to imagine what it would be like to realize that my significant other had been invading my mind and erasing my memories, to wonder, "how many times?" |
| 5. | bookwormMay 17, 2007 (Thu) | |
| I love TR, for being the saddest funny episode in tv-history. As many laughs as there are in the middle (and I like the scene in the sewer, with Dawn's "it's scary, but somehow familiar") as many moments to burst into tears are in the beginning and in the end. And good observation, that it was an extra-special move to cut Buffy off in the middle of her spoken confession, although I would say it was for another reason. I just enjoy watching emotions acted out much more, than watching them spoken out, especially with this really good cast. If anything is verbalized in a dialog (or much worse a voice over) I'd rather listen to a radio play. |
| 6. | buffyholicMay 17, 2007 (Thu) | |
| I agree with both Rick and Jake?! but I still think that Tara should have stayed with her a bit longer. I mean, an alcoholic(for instance) needs help and support to deal with the problem, he cannot face it alone and Tara kind of did that. She left her alone, to deal with the problem all by herself. I´m not defending Willow, not at all. I think what Willow did is beyond excuses. Maybe they should an organization called "MA-MAGIC ANONYMOUS". By the way, it is scary to see Willow like that. |
| 7. | KyarorinMay 17, 2007 (Thu) | |
| Heh, they do have a Spellcaster's Anonymous later in the season. I loved this episode though. Xander's praying to his various Gods was hilarious, and Spike's rundown of British men was great. I agree about the loan shark though. Great review. |
| 8. | monkeypantsMay 18, 2007 (Fri) | |
| I actually find what Willow did to be very disturbing. Everyone's concern in the show seemed to be more that Willow was using too much magic and less about what magic she actually did - which, to me, when I really think about what it would be like if I discovered that a loved one had erased memories from my mind, it's just completely haunting. And I agree with Jake?! that of course you'd wonder how many times they'd done it - as well as what else they'd done...And, well, I don't want to get flamed for this or anything, but...it was kind of like metaphysical rape. And yet people give the soulless vampire a hard time. I think it's difficult to make a comparison, because obviously only the latter occurs in real life and therefore it's a sensitive subject, but I think I'd be more tramautized if someone violated my mind than if they violated my body. Maybe I'm just weird for seeing it like that though, because they don't seem to make a deal out of it at all (or even really address it); they just make a big deal about the fact that Willow's using magic to solve all her problems. |
| 9. | LatoyaMay 18, 2007 (Fri) | |
| I saw it as a form of rape too. I had written a long post on it and the rest of the episode but I didn't copy it and it erased. |
| 10. | LatoyaMay 18, 2007 (Fri) | |
| Tara: How could you Willow? You could you after what Glory did to me? Willow: I didn't mean to-- Tara: To VIOLATE my mind like that. Willow: Violate? No, I just didn't want us to fight anymore. Tara: You don't want to fight. You don't fight. You don't use magic to make a fight go away. |
| 11. | TranquillityMay 19, 2007 (Sat) | |
| I love this episode! it reveals so much about the characters and (i think) sets up the events of the rest of the series really well. There is so much information revealed through out. We get to see where each character is 'at'. i might write a longer post for the discussion forum to explain my thoughts. |
| 12. | DingdongalisticMay 23, 2007 (Wed) | |
| My main problem is just that the problems you highlight spoil this episode for me, Mike, and it comes across as a wasted opportunity. |
| 13. | AustinAug 31, 2007 (Fri) | |
| Sometimes I am really slow, I never thought about the loan shark being a shark lol. Anyways, an important point I think you missed mikejer is that since, like you said, everyone retains their acquired instincts and only loose their memories, we get to see the true nature of the characters. For instance, Xander is initially attracted to Willow (ok, it was a girl and she was resting her head on him but still...) but he never once feels anything toward Anya, big foreshadowing. In addition, Dawn acts very childish, bringing us back to how she wants to be treated like an adult but is not really ready for it. Giles remains Mr. Cool and Buffy takes charge and handles herself admirably, which goes to show that she can in fact make it through this. BTW Latoya, next time your post fails and you didn't copy it, just click the back button and your text will re-appear, then refresh the page (your text will stay but there will be a new code) then enter the new code, i've done this a few times myself. |
| 14. | gabrielleabelleNov 14, 2007 (Wed) | |
| I think I enjoyed the ep a bit more than you seem to have. It had its faults, but I found it interesting to see what the characters did without those pesky memories. I especially find it interesting that Spike DIDN'T KNOW he was a vamp. Even when he was in vampface, he acts offended when Buffy (Joan) suggests that he's a vampire. Spike must not have much of the vampiric bloodlust going on to be completely oblivious to that. And I was very happy to see Tara verbally smack Willow around. I think it would be wonderfully selfless for Tara to be able to stay and try to help Willow, but Tara has to think about her own safety, as well. She knows that Willow violated her once. She doesn't know if it happened any other times. But she can't be expected to stay in a relationship like that. It's not selfish. It's smart. It's not easy for her, because she does still love Willow. But she recognizes that she needs to leave for her own well-being. |
| 15. | mmmtravisMar 5, 2008 (Wed) | |
| Xander: (laughs) Sorry, I just got back the memory of seeing "King Ralph". Definitely one of the funniest one liners of the season. Not sure how you could forget it! |
| 16. | leeMay 4, 2008 (Sun) | |
| 'blimey, shagging, bollocks, knickers.... oh god im english too' Spikes one funny fucker. and Anya hittin Giles with the book. ha ha ha ha. |
| 17. | JvampJun 17, 2008 (Tue) | |
| I loved this episode. Spikes line "Maybe I'm a noble vampire" and the growth of the relationships despite the memory loss is well handled. Tara and Willow realising their attraction, Buffy and Dawn realising they're sisters, it all fits with the emotion over magic stuff that will ultimately lead to Xander saving Willow in the finale. |
| 18. | groverboyAug 21, 2008 (Thu) | |
| What? No little plus thingy for Will's "I think I'm kinda gay"? |
| 19. | JadenAug 27, 2008 (Wed) | |
| okay at this point im incredibly im incredibly confused to what xander's "special ability" is here. during selfless anya says that xander always sees the problems he wants to. but then in potential dawn says that xander can always see the problems in others lives. if these statements dont clearly contradict each other then i dont know what do! |
| 20. | PaulaAug 27, 2008 (Wed) | |
| Jaden, you're not wrong. :-) I mean, in many ways I don't think the writers ever had a very clear idea of how Xander fit in. However, it's entirely possible for a person to be quite perceptive when it comes to other people's affairs, and deeply stupid when it comes to their own. In fact, it's easier that way - one tends to be too close to one's own life to see clearly. (I think what Anya said in Selfless was that Xander "always sees what he wants to see", and when it comes to his own life and his relationship with Anya particularly after becoming deeply attached to her, I think that's pretty much true.) |
| 21. | NixAug 27, 2008 (Wed) | |
| Xander fits in very well as an Everyman. Just because he *wants* to have some extra ability like everyone else (!) doesn't mean he's got one. He can sometimes be perceptive, certainly: but he can also be really obtuse. This is Everyman to a T (can you say the same isn't true of you? Well, OK, perhaps Everywoman in your case. Damn, English needs some new pronouns.) |
| 22. | TonyJan 16, 2009 (Fri) | |
| When the all open the door and scream their asses off makes me laugh every single time. |
| 23. | Exit8buffyJan 19, 2009 (Mon) | |
| I disagree and say that this episode did have significance in moving the story plot forward. Of course it wasn't a big turn kind of thing, but without this episode, Tara wouldn't have found out about the spell, she wouldn't have left and Giles would never have left. Besides, it was funny. This should have a higher grade but I do value what you say, etc. |
| 24. | ZillexMar 4, 2009 (Wed) | |
| I really love this episode. While the middle memory loss part may not have much ongoing significance, I'm glad we got to have some silly fun before the onslaught of depression begins again. One thing I noticed, when Buffy is trying to convince Giles to stay, she says "I can't do this without you" which is what she said to him way back at the end of Passions. Its a shame ASH wanted to leave the show, because Giles leaving seemed really strange to me at this point. Who cares if Buffy has to rely on him for a while...shes gone through more than anyone else can imagine, has more responsibilities than anyone else, plus she has to regularly save the world. |
| 25. | SamSep 13, 2009 (Sun) | |
| Gabrielleabelle wrote "I especially find it interesting that Spike DIDN'T KNOW he was a vamp. Even when he was in vampface, he acts offended when Buffy (Joan) suggests that he's a vampire. Spike must not have much of the vampiric bloodlust going on to be completely oblivious to that." Is this suggestive of Spike's lack of vampiric bloodlust or just his lack of self-awareness? After all, when he first woke up from after the spell had taken effect, he didn't even realize he was BRITISH and was making fun of Giles for that. At this point in the show, Spike is infamous for possessing amazing insight into other people's behavior while being somewhat clueless as to his own, so I think that could be it. |
| 26. | SusanSep 18, 2009 (Fri) | |
| I am really enjoying the reviews you write and the comments written by everyone else. So glad I discovered this site. I have to say though VN6Athat this episode is one of my top five favorites and I would have given it a much higher score. |
| 27. | JeanSep 20, 2009 (Sun) | |
| This episode is similar to ATS's Spin The Bottle in season 4. Angel also loses his memory, and does not recall he's a vampire. However, when he's alone with Cordelia, and can sense the blood flowing through her jugular, he starts vamping out. I guess it's the emotions that turn on the game face. BTW, great reviews. |
| 28. | LucyOct 1, 2009 (Thu) @ 4:52am | |
| Can't believe that nobody's even mentioned Giles and Anya's 'engagement.' That was my favourite part! It's so funny that they keep calling each other 'darling' and 'Rupey' I love those scenes! |
| 29. | Scoobasteve83Oct 12, 2009 (Mon) @ 4:42pm | |
| Hey Mike! I just cannot believe you actually left this great comment out... It's when Spike is looking for any sign of his name in his jacket. Spike: RANDY GILES??? Why not just call me Horny Giles. Or desperate-for-a-shag Giles? I KNEW there was a reason I hated you! This is hilarious stuff, imo. One of the funniest remark in the entire series. |
| 30. | KathyOct 29, 2009 (Thu) @ 5:52pm | |
| I really love the song at the end, "Good Bye To You", it is such a potent expression of what is going on for the characters. In your review you stated that Buffy was "failing to listen to her feelings of disgust about herself" when she kissed Spike, but I have a different take on it, inspired in part by the song and its lyrics. The song is about regretful partings, and I think that Buffy kissing Spike is about her finally accepting that the person she was before she was dead will NEVER be back, that the person she was is utterly gone. She had a brief reprieve from her depression and despair and a return to her happier self while her memory was gone, but with her memory restored as well as everything else that has come unraveled, that is over with. Not only was she yanked out of heaven, but she came back a very different person. In a sense, by embracing Spike, she is embracing this new person and a different way of being-even if that person is darker. |
| 31. | CirrusNov 19, 2009 (Thu) @ 8:34am | |
| I really, really enjoyed this episode, it really was the Something Blue of S6 and is often overshadowed because it's after OM,WF. I thought this episode was absolutely bloody hilarious, and the most noticeable thing about it was how amazingly it was acted. I could totally believe that they all had no idea who they were; every single character was played brilliantly, Willow and Giles especially really seemed to shine, so compliments to their actors!
I agree with monkeypants, too -- I totally thought this was the time for Tara to leave Willow, who really was at one of her lowest points here. She really did violate Tara's mind, and if I were in her situation I'd be a little angrier to Willow. But then, I'm not very much like Tara. I disagree on what you said though, Mike, about this episode not showing us very much -- I think it showed us a lot. How certain characters gravitated towards one another (and how Xander and Anya didn't, interesting bit of foreshadowing there), how without their memories they truly are -- am I the only one who found it intriguing how Willow was relatively assertive, and Spike was slightly vulnerable? I know someone mentioned above that he didn't notice he was a vampire because he's not particularly self-aware, just like he didn't notice he was British, but it's a great testament to his character for him not to act 'vampiric'. Seems that vampire nature may be a little mixed in with perceptions of vampires and how one is supposed to act. Anyway, I really adored this episode, and to be honest I enjoy watching it a lot more than I do OM,WF. It's extremely amusing but doesn't feel like it's ever trying too hard or even trying at all -- definitely deserving of at least an A, I feel. |
| 32. | Nathan.TaurusDec 6, 2009 (Sun) @ 4:58pm | |
| It was good to finally see Tara stand up to Willow about her use of magic. Also Buffy pleading with Giles to stay then storming off after not getting her way.
I think Willow's comment, "Thanks for the jacket, it's cold out there.", is just a reference point for the viewers to remember why she had Xanders jacket once the spell is in motion. Notice that Buffy/Joan spoke like Faith when she realized how strong she was. Her words are "wicked strong", with similar facial expressions. Great seeing things talked about in 'Restless': The shark on land, Spike like a son to Giles. Spike even wearing the same clothes. Giles and Anya together. Giles and Spike. And a line that I always find funny for some reason. "Ready Randy?" "Ready Joan!". And Xander being called Alex. |
| 33. | ZapheJan 1, 2010 (Fri) @ 9:17pm | |
| Mike, I love your review. Can I add something here that I noticed the opening scene of this episode also marked a change of Buffy's attitude towards Spike again? Ever since After Life, they had been having quite a harmoniously friendly relationship. They had casual conversations similar to the one in the beginning of 'Dead Things'. Buffy didnt insult Spike in every sentence and even shared her problems with him such as in 'Life Serial'. However, soon as they kissed in OMTWF, Buffy changed back to the ways she was treating Spike in pre-Intervention days.
My thought is that she was ashamed that she kissed him and realised she was one step closer to giving in her lustful feelings. She needed to distance herself by treating him badly as a means to remind herself that Spike is still a souless monster. I feel this is a kind of a turning point (after their real first kiss) of the roller-coaster Spuffy relationship. |
| 34. | EchoJan 8, 2010 (Fri) @ 4:49pm | |
| I think I'm with Cirrus. I hated this ep when I saw it, but when I look back, it actually turned me off with a semi-relevant bit at the beginning. I absolutely could not buy that Spike was remotely intimidated by the demon loan shark. And then to dress up like an idiot and run through the daylight to escape them? (Especially since, as established in All the Way, he has a subterranean route to the cellar of the Magic Box anyway.) Spike's comedy gold, and he's mercurial enough that you can do a lot with him and get away with it, but THIS characterization was just horrendous. It actually shows a ton, I think, in addition to the obvious of Spike hypothesizing that he's a noble vampire. The two I don't really see in the comments I've read are that Buffy is protective of Spike when she sees him threatened, that she assumes that she and Spike will fight together to protect the others, and that she's amazed and delighted to discover her superpowers. The last seems really significant, going way beyond her S6 depression. Buffy has always wished to be normal and give up her powers. But if she's released from the sense of responsibility, she actually thinks it's fabulous to be a super-strong fighting babe. And I loved that they called Xander "Alex." That was just hilarious to me. |
| 35. | SusanJan 27, 2010 (Wed) @ 7:44am | |
| Just rewatched this episode--a big favorite. One thing I've never understood is the reference that Xander makes concerning King Ralph when he first gets his memory back. I wish someone would explain it to me since it makes him laugh. Also, noticed that when Anya first discovers her name she doesn't pronounce it correctly. |
| 36. | DFAS GilesJan 29, 2010 (Fri) @ 4:57pm | |
| This is one of my favourite episodes, no question there. I find the dialogue hilarious, particularly between Spike and Giles, and Giles and Anya. The wrong book! Just laugh-out-loud funny. Each time I watch Willow walking out of the sewers with Tara following behind I am reminded of Orpheus and Eurydice in the Underworld. It marks the end of their relationship, but maybe it signifies something even worse for Tara (although there are no shots of Willow looking back). |
| - | Post a Comment |
|
Name
(NOTE: Before posting your opinion on this episode, please remember to read the review, be respectful of opposing opinions, and to competently use at least basic spelling and grammar. The administrator has the right to remove a comment at any time.) (*** copy your comment in case of failure!!! ***) Security Code |