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I WAS MADE TO LOVE YOU (5x15)
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A review by Mikelangelo "MikeJer" Marinaro,
January 5, 2007

Writer: Jane Espenson
Director: James A. Contner

- Quick Links


WARNING: This is a retrospective review and may contain SPOILERS. Read at your own discretion.

- Review

Let me start off by saying "I Was Made to Love You" is a strong candidate for "Surprise Hit" of the season. There's a whole lot more to like here than it's given credit for. I'll be up front and admit that the AprilBot itself doesn't always work for me, which is just barely enough to rob this from an A-range grade. Everything else, though, succeeds marvelously with unbelieveably superb and sharp character work for Buffy. The plot, like most Buffy episodes, is actually intended to further the depth and journey of the characters. This material focuses right on Buffy: her expectations, beliefs, wants, worries, and ultimately a big realization. Once again we have an episode where the plot only exists to service the characters, which is exactly what I love seeing in my entertainment.

I'm going to start off by talking about the one major thing I didn't care for, and that is Espenson's attempt to make me feel sorry for the AprilBot. Unfortunately I just don't really give a hoot about the AprilBot and the episode fails at making her very sympathetic, although its final scene is both touching and important because of its direct affect on Buffy. But the constant shots of it asking people where Warren is and many of those people ridiculing it isn't sad because it's a robot and it has nearly no personality. Ultimately, though, the AprilBot is a very small portion of the episode and doesn't drag it down very much.

Okay, now moving onto the many highlights. The episode begins with a wonderful scene involving Buffy punching an unseen Xander while venting over the fact Spike wants her. She complains that there must be something about her that made him think that she was the one for him, which makes her "feel dirty" (which is exactly how she feels during S6). I think there are three dominating factors to help explain why Spike fell in love with her: she's the Slayer, she's got a complex personality, and Spike's been restrained for so long from relieving himself by killing her that the killing instinct has turned into sexual attraction and, now, love. The slayer part of Buffy appeals to Spike's vampiric and sexual side while her complex personality appeals to his poetic side retained from William, which he's tried so hard to wash away over the years but will always be stuck with.

While that may help explain where Spike's coming from, it doesn't help Buffy much right now. She verbalizes that she hopes there's still a guy out there she doesn't scare away with her "uncanny strength and remarkable self involvement." This is both a strong nod to her relationship with Riley and allows for Buffy to be very introspective, even though I think she's still neglecting to see why she often seems self-involved--she's sacrificing herself day-by-day for others through her job as the Slayer, so the rest of the time she's thinking about herself which, honestly, is understandable.

Buffy's unique situation makes me wonder if it will ever be possible for her to live the "normal life." I think it may take a lot more time after the end of the series, but I think it is possible for her to have that. Xander, like usual, tries to cheer Buffy up and offers a possible answer to this craziness: "You ever think maybe the reason you haven't found a great relationship on the hellmouth is... because it's a hellmouth? Seems to me it's a pretty terrible place to try to build anything." And how about Puffy Xander? His interaction with Buffy here is incredibly sweet. Also sweet is seeing the two of them dance together later on as friends with so much respect for one another (a far cry from their last dance in "When She Was Bad" [2x01]). Anya being all proud she let it happen is amusing too.

All of this self analyzing by Buffy convinces her that she needs to change something about herself to make a relationship work, which is the character plot of the episode. This is why she jumps at the opportunity to hang out with Ben in "Crush" (5x14) and almost dances with him later on here. I enjoyed the way she positioned herself in Ben's view so he could initiate the conversation. Earlier Buffy was pondering ways to make guys like her more and said, "Maybe I could change. You know, I could, I could work harder. I could spend less time slaying, I could laugh at his jokes, I mean, men like that, right, the, the joke-laughing-at?" As she talks with Ben, he makes a bad joke and she laughs in a way that brings us right back to Cordelia in "Reptile Boy" (2x05) who said, "Dr. Debi says when a man is speaking you make serious eye contact, and you really, really listen, and you laugh at everything he says." A little creepy to see that Cordelia's been there, done that, over three years ago. This behavior makes Buffy no different than the AprilBot, whose only purpose is loving her man.

Anyway, right when Buffy thinks she might really be beginning something with Ben Spike shows up and bugs her. After retreating from mean looks he gives some fun expressions while watching Buffy and Ben talk together. Eventually he gets fed up and whispers something dirty to the AprilBot and hilariously gets thrown through a window. Then the AprilBot tosses Buffy across the room and simply says, apologetically, "If I hurt you just now, I'm sorry. And I hope that your boyfriend will take good care of you." The sad, pouty look on Buffy's face is priceless. You can tell that comment dug deep and hurt a lot more than the physical pain she's feeling at the moment.

The AprilBot was designed to be the perfect girlfriend and devoted everything to Warren, yet it still didn't work out. This is like an epiphany to Buffy who has been acting just like the AprilBot when interacting with Ben. She realizes "I don't need a guy right now. I need me. I need to get comfortable being alone with Buffy." She then immediately calls Ben again and tells him that she's not ready to go out with him. A big w00t for Buffy for realizing that she needs to understand herself before being able to have a real shot at being a part of a successful relationship. Even after another two years of regression, confusion, and discovery we find out that she's still not completely done discovering who she is. This episode represents the last we see of this part of Buffy's exploration, a point which is repeated during the infamous "cookie dough" speech in "Chosen" (7x22).

At the very end of the episode, after Buffy's relationship journey is temporarily wrapped up in favor of self exploration, we see the beginning of the Pain Era. Joyce on the couch. Oh my what a painful moment after such an overall cheery episode. Here it is everyone, the bridge to Act III of Buffy the Vampire Slayer (Act I being S1-S3, Act II being S4-now). Looking back at this episode I must say I'm quite impressed. When it wasn't so focused on the AprilBot I discovered that this has a lot of depth, character moments, discoveries, and humor. We get to see Buffy giggle and be happy for the last time in very long while. Warren was introduced along with plans for the BuffyBot. We get to enjoy Puffy Xander. We see Joyce happy and alive for the last time. Although the AprilBot misses the mark in of itself, it still functions as a useful tool for Buffy's development. All in all, "I Was Made to Love You" turns out to be quite the pleasure, flaws included.



- Minor Pros/Cons (+/-)
Pros:
+  
April innocently walking into Sunnydale wanting "true love," which is laughable after being shown Buffy's troubles in that area over the years.
+  
It's nice to see Joyce so happy before her sudden tragedy. Damn Whedon!
+  
Anya pointing out the AprilBot's odd speech pattern and Xander complimenting Anya for the same thing.
+  
Tara getting a little jealous at Willow's reaction to the AprilBot.
+  
The unanimous and casual agreement of the Scooby Gang that April must be a robot.
+  
Joyce teasing Buffy with fake sexual comments.
+  
Warren getting all excited to tell Buffy that that April's a robot. Buffy's trying to tell him she already knows leading to the enevitable "uh huh."
+  
How often Spike is running around in the daytime with a flaming blanket over his head.
+  
Giles going into full-on Ripper mode when telling Spike to leave the shop and "get over" Buffy.
+  
The 'robot eyes' view from the AprilBot's perspective is very amusing.
+  
Glory's reaction to Buffy turning Ben down for a date: "what the hell?" and then "she turned us down?"
+  
Spike gets desparate and has Warren begin construction of the BuffyBot. Oh my.


- Foreshadowing
  • Buffy calls Warren "one creepy little dweeb." Need I say more?


- Quotes
DRIVER:  
You sure you want to get out here? I mean, this place is kinda ... what are you looking for in Sunnydale, anyway?
APRIL:  
True love.

JOYCE:  
Oh god. What time is it?
BUFFY:  
4

TARA:  
Willow's good at all that computer stuff, but me not so much. Do you really understand all that?
ANYA:  
Oh. Well, at first it was confusing. Just the idea of computers was like, "whoa, I'm eleven hundred years old. I had trouble adjusting to the idea of Lutherans."

ANYA:  
Look at these tiny grain patties. They're woven. That's craftsmanship.
XANDER:  
They aren't hand-woven, you know.
ANYA:  
Then how?
XANDER:  
Well, it's a, a machine, and it's ... it sorta .. it presses. And there may be a mold of some sort ...

:  
(Buffy glares)
SPIKE:  
Ohhhh dear. If looks could stake. You having fun, pet? You trolling for your next ex? I gotta say, you can do better.
BUFFY:  
I told you, I wa-
SPIKE:  
Thought I was gonna leave town? It's a free country. Free party. If you want me to leave, you can put your hands on my hot, tight little body and make me.

BUFFY:  
Ow. I don't know about you guys, but I've had it with super-strong little women who aren't me.

WILLOW:  
I'm not sure this is a code red. Hey, is there a code pink? We need more codes.

XANDER:  
She's a sexbot. I mean, what guy doesn't dream about that? Beautiful girl with... no other thought but to please you... willing to do anything... (looks at the girls) Too many girls. I miss Oz. He'd get it. He wouldn't say anything, but... (clears throat) he'd get it.

BUFFY:  
What'd she make you do?
GILES:  
Um, well, we listened to aggressively cheerful music sung by people chosen for their ability to dance ... then we ate cookie dough and talked about boys.
BUFFY:  
(laughs) I'm sorry. I'm very very sorry, but if it makes you feel any better, my "fun time Buffy party night" involved watching a robot throw Spike through a window, so if you wanna trade... Nooo... wait... I wouldn't give that memory up for anything!

TARA:  
Oh, do you have any books on robots?
:  
(Xander looks worried)
GILES:  
Oh, yes, dozens. There's an enormous amount of research we should do before - no, I'm lying. I haven't got squat, I just like to see Xander squirm.
XANDER:  
(fake laugh) Funny. Charming and funny.

XANDER:  
I think I've actually turned into someone you want around after a crazed robot attack.
BUFFY:  
And if you ever start your own business, you have your slogan right there.


- Score Learn about the Grading Scale
85/100 B+
Just misses the mark of excellence. Essentially, a great episode that's rough around the edges and/or slightly flawed. Extremely fun to watch.


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- Comments (30) View Today's Comments | Subscribe:

1.bookwormJan 6, 2007 (Sat)View This Person's Comments | Link
my favorite scene right at the beginning: Buffy and Dawn having fun making Joyce spin around. oh, how sweet their relationship is... *sniff*

and, don't forget: "I'm thinking of buying something big. Maybe an antelope."

and Trina was cool, real cool, and she plays with this little cars.

2.pjcJan 8, 2007 (Mon)View This Person's Comments | Link
So much fun.

The last time we see Buffy relatively care free, in the scene with Joyce and Dawn. Its along time to the next genuinely joyful moment

3.JessicaMar 13, 2007 (Tue)View This Person's Comments | Link
Another foreshadowing part is the Aprilbot's last lines, right before she runs out of batteries: "and things are always darkest before..." the last word to that quote is supposed to be "dawn", referring to buffy's little sister.

4.gabrielleabelleNov 12, 2007 (Mon)View This Person's Comments | Link
I appreciate this episode for the message in it. It's rare to have a heroine in the media realize that she can be alright without a boyfriend. So I was very happy to see Buffy decide to take some time to get to know herself.

But I just can't watch this episode very often. The actual plot bores me. And I usually have trouble getting through it knowing what's coming in the next episode.

5.buffyholicNov 26, 2007 (Mon)View This Person's Comments | Link
At first I didn´t get this episode very much but now that I´ve seen it again and read your review, I understand it a whole lot better now and it´s cool to see that the robot is just a means to develop the characters even more, especially Buffy understanding all she needs is herself. And of course, the scene with the robot and Buffy in the swings is beautiful. Really well done.

6.Plain SimpleFeb 28, 2008 (Thu)View This Person's Comments | Link
And things are always darkest before Dawn... only they're not on this show. It definitely got a lot darker after Dawn.

Btw, knowing what we know now, AprilBot asking Tara if she knows where Warren is, is quite an awkard moment too. Specially in this episode where death is coming.

Re 'Buffy calls Warren "one creepy little dweeb." Need I say more?': Yes please. If there's something specific about this phrasing, then I'm missing it. If you would call the comment in general foreshadowing, I think it's a bit far fetched. One off characters can also be called creepy dweebs.

7.MikeJerFeb 28, 2008 (Thu)View This Person's Comments | Link
The line about Warren is indicative of what Warren is capable of, which we get to see in full force in S6.

Also, I have to say I really disagree with people who think foreshadowing is material purposely placed by the writers ahead of time. Whether intentional or not, I believe if something ends up hinted at what's to come, it's foreshadowing. The writer's original intent doesn't really matter -- it's what's on screen that matters.

8.JadenJun 25, 2008 (Wed)View This Person's Comments | Link
i dont know about you mike but i have to disagree about the bots feelings not being worth anything. whenever i see her though i know shes a robot i know that she has a basic sense of being and consiosness, though they are completely directed to the love of one person. with everything she exists for suddenly dissapearing she is still able to feel the void of where that is. even if she ISNT feeling those emotions the shots of her tirefully searching for him make her appear that she really does want to find him and is dissapointed at not and thats enough to make me feel sorry for her.

9.adastraSep 7, 2008 (Sun)View This Person's Comments | Link
I had a feeling that the entire conversation between Buffy and April at the end was full of foreshadowing and hints of whats to come; coping with Joyce's death, Buffy's death ("It's getting dark. It's so early to be dark."), Buffy's resurrection, the following depression, the way Willow acts, etc ("What if he comes back and he can't find me in the dark?" - "I'm here. I'll make sure that he finds you.") and Buffy eventually getting better ("When things are sad you just have to be patient. Because, because every cloud has a silver lining. And when life gives you lemons make lemonade. And things are always darkest before..."). It's a very touching conversation, not necessarily because we should feel sorry for April, but just because IMO it describes (Buffy's) life and death so accurately...

10.TonySep 18, 2008 (Thu)View This Person's Comments | Link
Yeah, I also loved the end scene with April and Buffy. I have to disagree with you Mike, there was sympathy on April's part.

11.NixOct 12, 2008 (Sun)View This Person's Comments | Link
Yet another possible parallel between here/The Body and The Gift. Looking at the timelines it seems very likely that Joyce was dying at around the same time as the BuffyBot was, certainly at about that time of day. Joyce dies as the sun is going down: Buffy, as the sun is coming up...

(This is really reaching, given that it's considering events that were never even shown on screen.)

12.bigmoneygripNov 18, 2008 (Tue)View This Person's Comments | Link
I love seeing Xander competent at something! I love to do home repair, carpentry, and the like and it is neat to see this.

13.RichieJan 6, 2009 (Tue)View This Person's Comments | Link
Nope, try as I might, I just can't get into this episode. The whole April robot thing just doesn't work for me. Shame, cos there is a lot of great character interaction, and seeing Joyce for the last time made me feel rather sad! How we get attached to these wonderful characters. Time to move onto 'The Body' with a box of tissues at the ready!

14.SeleneJul 24, 2009 (Fri)View This Person's Comments | Link
Like everyone, I loved the Joyce/Dawn/Buffy scene. It was so great to see Joyce so well and then the later teasing of Buffy about leaving her bra in the guy's car is priceless! Makes what's about to happen even more heartbreaking.

The whole 'molded plastic' line from Tara just sounded off coming from her.

Got a kick out of how Willow was obviously a little attracted to the Aprilbot, then the somewhat guilty looks she kept casting Tara's way after she realizes she said too much.

Giles joking with Xander about the robot books was cool. Nice to see him loosen up a little among the Scoobies, but wow LOVED seeing Ripper!

15.YogiSep 20, 2009 (Sun)View This Person's Comments | Link
Did anyone else catch Dawn's reference to Ted? Nice continuity there.

16.SusanSep 24, 2009 (Thu)View This Person's Comments | Link
When I saw this episode the first time I thought it was a little silly. I had no idea that there were so many things in here that would be significant later on. Just the introduction of creepy Warren, leading to the Buffybot which is important in the last season six episode and also to the Scoobies after Buffy's death.

17.Darth BunnyOct 12, 2009 (Mon) @ 1:27pmView This Person's Comments | Link
"Warren getting all excited to tell Buffy that that April's a robot. Buffy's trying to tell him she already knows leading to the inevitable "uh huh.""

I think this is another clever piece of foreshadowing. Warren is under the impression that Buffy won't get it, even though she's already pieced everything together. Warren's sexism, while not directly on display, is evident from the way he talks and treats the women around him.

18.Blue FanNov 6, 2009 (Fri) @ 7:32pmView This Person's Comments | Link
I'll have something to add to what everyone has already said.
Maybe I'm stretching too much, but I tend to see the AprilBot as a metaphor of one of the main theme in the series: the place women have in society and the expectations over them and their behaviour.
I mean, April was created and treated by Warren and other men in this episode (Spike, the guys that made fun of her) as an object. And the only thing April could do was to please his owner, a selfish man. Even when she was dying (and this make me feel sad about her) she was thinking that maybe Warren would come back for her.
Isn't this one of the key topics of the series? But this is just my opinion of a great episode.

19.ZapheNov 25, 2009 (Wed) @ 5:05amView This Person's Comments | Link
I dont like this episode because everyone especially Giles treated Spike very badly after they found out that he was in love with Buffy. I think a person's good nature shows in how they treat a lesser being. All through S4 & S5, everyone treated Spike badly and yet time and time again, they would go to him for help in fighting. I guess that's probably the way writer wants to create sympathy for Spike and I just flinched for Spike when he was treated so badly. Especially the scene in the Magic Shop with Giles.

20.SvenMay 9, 2010 (Sun) @ 2:53amView This Person's Comments | Link
I know it's a part of the episode that's it's really pointless to complain about, but I have to wonder why the AprilBot has a combat mode. :)

And why make her so strong in the first place? Honestly, if I were to build a robot for the purposes of having sex with it, I wouldn't want there to be a risk of getting my pelvis crushed if a short-circuit causes one of her servos (or whatever she uses to move) to malfunction. Also, how about giving her a safety word which would shut her down?

Geez, can you tell I'm an electrical engineer? :P

21.BethMay 19, 2010 (Wed) @ 8:09pmView This Person's Comments | Link
I do feel sorry for the AprilBot, but only at the very end of the episode. Also, Warren is completely unlikeable, which helps force my sympathies. I think the conversation between Buffy and the AprilBot is one of the best moments in the season, and just heartbreaking in retrospect.

I agree that the Scoobies treated Spike badly, but this was right after he helped knock Buffy out with a cattle prod, locked her up and threatened to unleash Drusilla on her, so...understandable.

22.AfterthebattleOct 5, 2010 (Tue) @ 3:51amView This Person's Comments | Link
"Things are always darkest before..." I see this a foreshadowing to "The Gift", and not to Dawn's character. Remember the moment where Buffy realizes what to do in order to close the portal? From the script:

Buffy stares at Dawn in anguish.

DAWN: (tearfully) You know you have to let me. It has to have the blood.

Buffy gets a realization look on her face.

:::FLASHBACKS:::

Buffy frowns. Turns around slowly.

Shot of the platform extending into the air. In the distance, holes seem to be opening in the sky. The sky is growing lighter as the sun tries to rise.

Buffy looks peaceful. She turns back to Dawn, who stares wide-eyed.

DAWN: Buffy ... no!
BUFFY: Dawnie, I have to.


... Beautiful.

23.JohnJan 7, 2011 (Fri) @ 12:34amView This Person's Comments | Link
Willow and Tara's little moment after Willow's remark about the AprilBot was quite hilarious.

24.fray-adjacentFeb 9, 2011 (Wed) @ 4:20pmView This Person's Comments | Link
Something I'd add to the plus column is the fantastic acting by the woman who played AprilBot, especially in its final "death" scene. The way she moves her mouth and eyebrows looks just the right amount of mechanical. Very impressive, even more so than Sarah Michelle Gellar's BuffyBot.

25.TryciclesMay 14, 2011 (Sat) @ 9:11amView This Person's Comments | Link
"I just flinched for Spike when he was treated so badly. Especially the scene in the Magic Shop with Giles."

Giles' hostility towards Spike is expected. In this scene, he's just like any father, overreacting, to protect his daughter. I thought Dawn snubbing Spike was worse, since she was the only scooby who had any respect for him.

26.deadlegoMay 22, 2011 (Sun) @ 10:12pmView This Person's Comments | Link
I think this episode shows joyce at her very best:-getting on so well with both buffy and dawn at the same time, great sense of humour and very very beautiful. The scenes with her in were perfect and served so well to show exactly what dawn and buffy lose; not just their mum but a truely wonderful woman who is able to make the best of all situations and has been a fanstastic role model for independent women. Considering the extraordinary situations surrounding her daughters she has (with a few understandable hiccups which serve to make it all more realistic) done an amazing job as a mother.

Just for these mother/daughter/s scenes this episode is well worth watching, and the aprilbot provides a plot which brings out some important character revelations for buffy, and some pretty funny stuff in there too. It also introduces warren and is very important in giving some background on him. Also it brings up some interesting subjects, one being how far lonely people will go to be with someone and how a lot of the reason we feel we need someone is because society tells us that is how it's supposed to be.

Overall this episode has interesting ideas but felt slow paced to me and like they could have done a lot more with the theme, for instance it would have been nice if warren was initially a bit more sympathetic as a character. I'd give this one a 'B'.

27.joaquinJul 23, 2011 (Sat) @ 6:09pmView This Person's Comments | Link
how spike enter to warren house?

28.nathan.taurusNov 24, 2011 (Thu) @ 5:52pmView This Person's Comments | Link
joaquin: Good point. Not sure.

Buffy: I don't know. I was standing right here. I didn't see Price Charming. I didn't even see a goodnight kiss...it all looked pretty tame to me.
Joyce: I suppose by your standards it could seem pretty...oh dear.
Buffy: What!?
Joyce: I left my bra in his car.
Buffy: Mother!
Joyce: I'm joking.
Buffy: Good God that's horrible, don't do that.
Joyce: I left it in the restaurant.
Buffy: No more. No more. No more. (Buffy blocks her ears and runs upstairs)
Joyce: On the desert cart!
Buffy: I can't hear you.

29.OdonDec 20, 2011 (Tue) @ 4:06amView This Person's Comments | Link
Spike's mother invited him into Warren's house.

As to how the Scoobies treated Spike, remember that he zapped Buffy with a cattle prod, then chained her up and threatened to feed her to Drusilla. It's hardly surprising they'd treat Spike like a lecherous villain with sinister designs on their beloved princess.

The 'dweeb' comment isn't foreshadowing - it's the fact that Warren, when faced by a malfunctioning and about-to-become violent Amy, sicked her onto Buffy by claiming she was his girlfriend. This shows the lack of moral centre that turns Warren from a geek wannabe supervillain into a murderer in Season 6.

30.OdonDec 20, 2011 (Tue) @ 4:07amView This Person's Comments | Link
Sorry, that should have been "Warren's mother invited Spike into Warren's house". Spike can be charming when he wants to be.


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Copyright © 2012 CriticallyTouched.com, Mikelangelo Marinaro (e-mail me at: mikejer(at)criticallytouched(dot)com). All rights reserved. Unauthorized reproduction or distribution of any review or article on this site is prohibited. All works and related characters are property of Joss Whedon, Mutant Enemy, 20th Century FOX, Universal Studios, Dark Horse Comics, and IDW Comics. I have no affiliation with Joss Whedon or any of those companies.