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SUPERSTAR (4x17)
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A review by Mikelangelo "MikeJer" Marinaro,
March 22, 2006

Writer: Jane Espenson
Director: David Grossman

*Warning: This review may contain spoilers from anywhere in the entire show.

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- Review

This is an occasionally fun, but nearly completely inconsequential episode that simply doesn't have a lot else going for it. Why isn't this an arc episode anyway? This just tells me that the writers probably knew they didn't have much of anything to do with Adam and the Initiative at this point. Jonathan somehow manages to alter all of reality so that he's the big hero that everyone loves. Buffy and Riley mend their wounds over the Faith issue and Jonathan learns a couple lessons. That's about all that happens. It's also got the whole James Bond-type music going for it. The demon that was summoned as a side-effect to Jonathan's spell is incredibly hokey, annoying, and certainly not the sum of everyone's worst nightmares. I'm not a big fan of this episode, but I admit there's some worthwhile stuff mixed in here.

I really enjoyed the altered opening credits along with how, right from the beginning of the episode, everything is already changed. Being thrown into something while it's happening is a technique I'm quite fond of, the best example of which I've seen used is in the movie Dark City. Early on it is obvious that this Buffy has not gone through nearly as much as the Buffy in the real reality. Here she dresses in a way that makes her look frivolous and we can see she doesn't have a lot of confidence because, as Giles puts it, "she's never stood alone against something like this before." This is what Buffy would be like at this age had she not killed the Master, defeated Angelus, fought Faith, and dealt with all the daily fighting she's had to endure mostly by herself. In this reality, Jonathan did all that. This means that Buffy never trained, got little fighting practice, and didn't have to go through all that pain, which made her able to take more both physically and emotionally.

Buffy's conversations with Riley reveal a lot more. When she's with him, she's very much like the Buffy in the real reality. Certain characteristics, such as caring for and loving (and I mean this not in the romantic way) others, are a part of who Buffy is, regardless of memory. Her instincts are still extremely sharp as well. While borderline frivolous, we can still see that there's some depth to Buffy. Riley tells her, "If they'd just put a little trust in me I know I could get the job done." She replies, "I've felt that way my entire life." This Buffy is untrained, underdeveloped, and just itching to blossom but is always superceded by Jonathan who is able to do everything better. That makes it all the much warmer when Riley sticks up for and supports Buffy when no one else will after she questions the perfectness of Jonathan.

That brings us to Jonathan who is, as Buffy puts it, "trying to make everything work out with some big gesture all at once." He did that in "Earshot" (3x18) when he was going to commit suicide, and he's definitely done it again here. At the end Buffy tells him that "things are complicated. They take time and work." Through this fantasy Jonathan gets everything he wants. His album addresses his lack of popularity, the slaying addresses his lack of power and self confidence, the Swedish girls address his lack of a love life, and the Scoobies address his lack of companionship. While obviously envious of Buffy, he still very much likes her and who she is. That's why when he gives her good advice on her relationship with Riley, it's completely genuine. What's also genuine is when he decides to help Buffy fight the demon, even though it means he will lose his fantasy. He does something very similar in "Seeing Red" (6x19) when he tells her how to drain Warren of his power, even though it means he'll likely end up in prison for what he's been a part of. This is something that is a part of who Jonathan is, and a good something at that. He should be, at the very least, proud of that.

One last thing to point out is the second scene between Buffy and Spike (when only Jonathan is with her). Spike says, as he caresses her hair, "Someday sweet slayer. I would love to take you on. See you face the evil alone for once." Spike seems a bit infatuated with her already, and Buffy doesn't do anything to deter him from continuing. Anyway, this episode has some humor, a decent amount of cheese, and a little bit of character insight. Overall, though, it's simply mediocre.



- Minor Pros/Cons (+/-)
Pros:
+  
Willow and Tara sticking Jonathan pictures to their wall.
+  
Jonathan finding a document that reveals Adam's power supply. Plus, he's so amusingly short (sorry Danny)!
+  
Buffy betting on Anya should a fist fight between her and Xander break out.
+  
Anya being obvious that looking at Jonathan makes her want to have sex.
+  
Adam being aware that everything's been altered. Cool.
+  
All the Jonathan props, especially the Jonathan.com and basketball posters.
+  
Riley saying "Did anyone else feel way too tall? I felt way too tall."
  
Cons:
-  
Anya doesn't react in any way to Xander using the word "bunny."
-  
The demon's attack of Tara is painfully hokey.


- Foreshadowing
  • While Jonathan is done with the "big gestures," he's found a new hobby in magic, which will play a huge role in S6.


- Quotes
ANYA:  
They weren't very well organized. If they had all rushed at Buffy they could have killed her right away.
BUFFY:  
Thanks Anya. That won't keep me awake all night.

SPIKE:  
Yeah, back off Betty.
BUFFY:  
It's Buffy, you big bleached...stupid guy.

WILLOW:  
I know she's not over the whole Riley sleeping with Faith thing. Oh.. you know I mean - Faith's insides and Buffy's outsides when her insides were out.

RILEY:  
Yeah yeah. I'm a lot stronger. I'm no Jonathan but I'm doing ok.
BUFFY:  
Are you? I mean you're not...
RILEY:  
What?
BUFFY:  
Eating the Initiative's technicolor food of strongness.

BUFFY:  
Now if slaying was a competitive sport, then I'd have a chance. You know we could have figure staking, and speed staking.

BUFFY:  
I mean, you don't just look at someone and say "Hey that's not your body, get out of that body with your hands up!"

ANYA:  
Sure, alternate realities. You could uh, could have like a world without shrimp. Or with, you know, nothing but shrimp.

RILEY:  
These spells...these really work? I mean, can you really turn your enemies inside out? Or...learn to excrete gold coins?
ANYA:  
That one's not so much fun.
WILLOW:  
They work Riley but they take concentration. Being attuned with the forces of the universe.
XANDER:  
Right, you can't just go "librum incendere" and expect...
:  
(The page of Xander's book bursts into flame)
GILES:  
Xander, don't speak Latin in front of the books.


- Score Learn about the Grading Scale
65/100 C
Noticeably flawed. The main plot is likely poor and/or hokey, but some chunks of character development and relevance make it worth watching.


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- Comments (28)

1.GroundedMar 22, 2006 (Wed)Link
"Spike seems a bit infatuated with her already, and Buffy doesn't do anything to deter him from continuing."

Personally, I took this to mean Buffy was half-scared of him, which fits perfectly with her 'character' in this ep.

While it's not arc-heavy, Superstar does actually have an important role to play in the arc - superJonathan revealing how to kill Adam. I see you mentioned it in pros/cons, but considering you seem to dislike the standalone nature of this ep I thought it was a bit more important.

The other thing I think you've overlooked is how original this ep is. I honestly can't recall ever seeing an episode of any TV show where, let's face it, a bit part character is treated almost as part of the regular cast. I would have loved to have seen Danny Strong's name actually appear in the credits (and I wouldn't be surprised if Joss had lobbied for it) but I suspect the network wouldn't have allowed it.

2.fryrishMar 22, 2006 (Wed)Link
Lowest ranking for the season for this one. It would be among my favourites for season 4. Although, I assume the next one will be lower.

3.cayayofmMar 22, 2006 (Wed)Link
Personally, I preffer 'Where the wild things are' over 'Superstar', but that is just my pick. Superstar just doesn't hold my attention, I had tried to rewatch withouth luck.

4.mikejerMar 22, 2006 (Wed)Link
Well, "Beer Bad" also got a 65. Although I think BB actually has more importance when it comes to character development than "Superstar."

Grounded, the way you see Spike there is definately also a possibility. Spike still looks mighty interested in her though (which follows from him being tantalized by Faith in Buffy's body in "Who Are You?"). Maybe it's a combination of both?

The episode doesn't feel particularly original to me. I'm not sure why. I know I've seen the Star Trek series' do some similar stuff to this.

WTWA will get a much lower score than "Superstar." I barely have anything to talk about that.

5.GroundedMar 22, 2006 (Wed)Link
I meant from Buffy's point of view, not Spike. I think they'd already figured out where they were going with him at this point... ;)

6.mikejerMar 22, 2006 (Wed)Link
Ah, I see. I do agree with you still about the half-scared comment.

7.DingdongMay 1, 2006 (Mon)Link
You're probably thinking of one of the Barclay episodes. I didn't think the concept was that original when looking at it, but I thought the way they presented the material was. The reason I liked "Superstar" so much was because it really felt like the writers understood what its like to be in a guy like Jonathan's position, and how people like him will fall back and "create" their own fantasy world. And then they allowed themselves to have a lot of fun by turning it into a reality for an episode. In a way its similar to "Storyteller", but I prefer Superstar, simply because its more fun, and Jonathan seems more convincing than Andrew.

8.DingdongJun 9, 2006 (Fri)Link

- QUOTE -
Well, "Beer Bad" also got a 65. Although I think BB actually has more importance when it comes to character development than "Superstar."
I really disagree with this. If you look closely enough at Superstar, it manages to have lots of developments of the smaller character details, that are the same as the real world. For instance, look at Willow and Tara in this episode, how close they're growing, and the amount of affection they show. I was honestly surprised no-one in the gang had noticed, although everyone in it was generaly more light-hearted, and Buffy had her own issues she was worrying about. The episodes also full of a lot of other subtle character insights, that you only catch if you're watching closely. It's actually quite surprising, because this isn't usually something I find all that often in Epenson's episodes, barring Afterlife.

9.dingdongAug 5, 2006 (Sat)Link
In your review, you've criticised the episode because it isn't an arc episode and is rather inconcequental. Fair enough, but that's the reason I love it. By this point, I'd given up on a satisfactorary arc and didn't really care anyway, so I was pleased when the focus was off it. That's
not to say that before seeing this I thought the idea would work, I actually thought it was a rubbish idea and doomed to fail. I was really surprised at how well it was done, and also how the regulars stay in character and the small term themes, like Willow and Tara's growing attraction and Buffy's distance from Riley from the previous episode, are carried on. Although I wouldn't call it standout, I still like it because like most of the other S4 standalones, it's great fun and also well characterised.

10.ChebonneNov 28, 2006 (Tue)Link
I really liked your review, especially that you mentioned the music and the opening credits. Plus, the Spike thing. Me likey. This episode had one biiig minus in the "Swedish" girls, though. Why can they never get it right? Remember in inca Mummy Girl they had a Swdish exchange student named Sven. Please. No one under the age of forty is named Sven these days. Which brings me back to the twins - Ilsa and Inga? What are they? Dutch?
The reason this annoys me is because it is fairly simple to just go check something like that up. There are still names in Swedish that sounds fairly exotic, like Malin or Ida or Johanna, which are three very usual Swdish names.
Anyway, I really enjoyed your review. Thank you!

11.Tobias DrakeJan 15, 2007 (Mon)Link
I just liked the fact that it completely parodied "Mary Sue" fanfiction.

12.AustinAug 26, 2007 (Sun)Link
I like the attention to detail, like when they mention that Buffy gave Johnathan the class protector award.

13.buffyholicNov 7, 2007 (Wed)Link
I kind of feel sorry for Jonathan in the end. They know he´s miserable in his life but they don´t do anything to help. They could have joined with the Scoobies, could have talked some more with him. If something was done by their part, maybe Jonathan wouldn´t fall back in the black arts and with the bad guys. Just a thought.

14.Plain SimpleFeb 14, 2008 (Thu)Link
I like your comment about Anya not reacting to the word 'bunny'. I noticed that too and was a bit disappointed at a wasted opportunity.

The Adam scene puzzled me a bit, but got me thinking: why put that one in. The rest of the Adam arc has nothing to do with altered realities, so why establish that he has the power to recognise them? And then it hit me. Back in the opening dream sequence of 'This year's girl' Faith or Buffy says something like "so much to do before little sis' comes". Why does Adam need to die before Dawn comes? There are so many demons still running around, what makes Adam a special threat to Dawn? He can recognise her true nature! He would have been able to sense that reality was changed when Dawn was created. This is why he had to go!

Re Chebonne: Ilsa and Inga, were they the names of the twins? If so, then why would you think they're Dutch. In all my years as a Dutchman I don't think I ever met or heard of someone named Ilsa or Inga. I'm not saying they don't exist, but it's definitely not a common Dutch name.

15.TonnyJul 21, 2008 (Mon)Link
Very clever Plain Simple, I never thought of that before with Adam having been able to tell about Dawn if he stayed alive.

16.JadenAug 22, 2008 (Fri)Link
i find this episode incredibly upsetting because if jonathan had actually taken in what he was like in the altered reality he could have learned what he can be like with self confidence instead of resorting to a hobby of magic and even lamer friends. its one of the reasons that i wish season 5 had been the end of the series so jonathan could have actually become his ideal version of himself.

also in this episode we get to see jonathan at a better stage in life than pathetic xander whos stuck in his parents basement while jonathan is in college. its nice to see this as xander seems to get very cocky to jonathan later in the series while he was in a worse position not long before.

17.PaulaSep 1, 2008 (Mon)Link
Like Tobias above, I think there's one big thing going for this episode: it's a hilarious take on fanfic.

I remember starting to watch this episode and going all "what the hell?!" at first. Then I suddenly realized that the writers had simply, and very much on purpose, turned Jonathan into the ultimate Gary Stu character. After that, I couldn't stop howling with laughter at practically everything in this episode.

Re: what Jaden says above, one of the neat things about Buffy for me is that just because we'd very much like a character to overcome their problems and get everything right in their life, it doesn't necessarily happen. That's reality for you.

18.laciemnSep 21, 2008 (Sun)Link
IT's not bad but I simply can't stomach this much Jonathan. I really really have a thing against him! It just ruins it every time someone compliments him or shows his face..

19.donnNov 1, 2008 (Sat)Link
can anyone please please send me the complete buffy quote about not trying to change things with one big gesture...things needing lots of work, effort or something like that. would really appreciate it! -donnegaba@yahoo.com

20.SDec 20, 2008 (Sat)Link
This is one of the best episodes of the season i am baffled how can one give it such low score.

21.StilichoMay 15, 2009 (Fri)Link
Though I see that this episode may not be outstanding in plot or caracter development, it's simply bloody funny! Generally it's awkward that in this season the Initiative plot is that weak that the writers had to produce many stand-alone episodes, but this one is really great. Appreciating the tons of humor of season four, I'd at least rate it with 75-80, IMO.

22.JohnnyJun 18, 2009 (Thu)Link
Just finished watching this one, entertaining episode, from the opening credits through it had some great laughs. When he stops jammin with the band and jumps off the stage to see to Karen with a K. Or that Giles had the Jonathan calendar stashed under the mat atop his desk...good laughs.

23.CraigAug 13, 2009 (Thu)Link
I actually think this does play a fairly major role in what's to come -- it sets up the whole "Altering people's perception of reality" as a major possibility. Jonathan didn't change it to an alternate universe, like Cordelia's wish from s3, he just changed the way people saw it.

It's a huge spell, with a huge impact, but they deal with it in an inconsequential way, so the very ridiculousness of it becomes the center of the episode.

Why is that important?
Dawn.
If this kind of thing hadn't happened in this episode, I think Dawn's sudden appearance and explanation would have been much harder to swallow. By dealing with it in a frivolous way first, they set themselves up for the serious implications of a more permanent change to reality.

24.LeeluAug 13, 2009 (Thu)Link
@Craig: They also deal with this (with Connor) later on in Angel.

25.jarppuAug 21, 2009 (Fri)Link
"Why isn't this an arc episode anyway?"
I have to agree with the other comments on this. Why does it have to be an arc episode? Especially since the arc is what it is. Just go with it.

I love this episode. There is just so much hilarious stuff going on here: Jonathan practising blind target shooting, singing songs, being a 'technical advisor' to the Initiative (while being a foot shorter than anyone else) and of course the swimsuit calender that Giles has ("It was a gift!"). This is the kind of episode you watch when you just want to watch a single episode without the burden of the arc.

The thing that makes this better than a simple alternate reality story is that the episode is still heavily connected to the 'real world'. It actually move some stuff along for example the Buffy/Riley situation.

I'd rate this the same as 'Pangs' and 'Something Blue' as they are quite similar: so outrageously funny you just don't care if it isn't an arc episode. So something in the range of 85-90.

26.ChrisAug 21, 2009 (Fri)Link
I'd agree with many other that this should be 85 .
Whilst it may not be an arc episode not episode has to be and many of the best are not.
The episode needs aclaim in my opinion for 4 reasons.
1) Introducing the kind of spell to bring in dawn
2) The amount of prop detail ( the cereal,the cards,the posters etc)
3) Showing how buffy still figured things out without her experience
4) Being so hilarious and rediculous

And in responce to a previous critisism it has been said (i think in commentry)
that anya did not react to bunny on purpose because it was an alternate universe.

27.TrayceJan 27, 2010 (Wed) @ 11:18pmLink
This is probably completely irrelevant but I've been watching both the Buffy and Angel series lately and I've noticed that the "world without shrimp" has been mentioned several times! Here with Anya: "Sure, alternate realities. You could uh, could have like a world without shrimp. Or with, you know, nothing but shrimp." and in Angel with Ilyria!

28.KatieJFeb 17, 2010 (Wed) @ 11:46amLink
Again, I rate poignant humor higher and the humor of shorty-short Jonathan being all he can be and then some, is just awesome. This funny magical tool offers the audience a question: power, leadership, authority....where do these things come from? Since Jonathan is a character that many of us can relate to, the scenario of the episode forces us to think, hey, Jonathan has it in him to be a leader. Do I? What is missing?

Apart from touching humor, the arc is forwarded profoundly by this episode. It is a subtle push, dealing with leadership and authority in two ways. Here we see Jonathan, albeit magically, embodying good leadership. He gives everyone a chance to shine, lets everyone contribute, creates paths of success for even Xander, Spike and Giles, who are feeling like losers all season. This is true leadership (my only critique is that between Danny Strong's acting and the script, his encouragement comes off a bit condescending sometimes).

This model provides a foil to the model of authority in the Initiative- without empowerment, blind obedience. Secondly, Buffy, against all odds, revolts against Jonathan's authority, similar to the way she overturns the military/professor Walsh's authority. Who gets to lead....when should these systems be questioned? It's all there in a delightful, quirky, and personal package. Season and series arc importance.


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Copyright © 2010 CriticallyTouched.com, Mikelangelo Marinaro (e-mail me at: mikejer(at)criticallytouched(dot)com). All rights reserved. Unauthorized reproduction or distribution of any review or article on this site is prohibited. All works and related characters are property of Joss Whedon, Mutant Enemy, 20th Century FOX, Universal Studios, Dark Horse Comics, and IDW Comics. I have no affiliation with Joss Whedon or any of those companies.