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| Writer: | Douglas Petrie |
| Director: | James A. Contner |
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| - | Review |
This is a solid episode which really manages to get the seasonal arc moving. We're introduced to the Initiative, we discover Spike can't harm any living creature anymore, we find out Riley and Walsh are both heavily involved with the initiative, and we see Riley making his first romantic moves on Buffy. The title, "The Initiative," means two different things. There's the obvious (the military group), but Riley is also taking the romantic 'initiative' with Buffy. Much of the episode is centered around introducing us to both of these threads. It's also interesting to note that while Buffy does initiate contact with Riley, she really isn't a large part of the episode. The focus is really on Riley and Spike's attempts of connecting with Buffy, in their own unique ways.
There are a lot of abrupt scene changes that really work perfectly here. The first is when the Initiative boys are talking about how hot Buffy is. Forrest says, "I bet a lot of guys would like to get their hands on her." The scene then quickly changes to Spike on the ground saying, "Slayer... I'll kill you. Not so tough. I... Kill slayer." Another instance is when Spike, trapped in the Initiative, overhears that the Slayer is likely somehow related to why he's trapped there. He assumes that the Slayer is responsible and says "I always worried what would happen when that bitch got some funding. She's wised up a bit. Fine! I'll take her apart. I don't care how brilliant she is." Then the scene abruptly cuts to Buffy in class having a really hard time with her ballpoint pen. Yet another instance of this happening is when Riley admits his attraction to Buffy and tells his friends, "Well, I guess I'm gonna go see a girl." The scene quickly changes back to Spike who, while trying to escape, tells the labcoats, "Sorry, can't stay. Got to go see a girl."
Riley and Spike are both after the same thing here: Buffy. Riley wants to establish a relationship with her while Spike, at least on the outside, wants to kill her (he is also subconciously in love with her, see Foreshadowing section). I'm going to focus on Riley and the Initiative first, though, which both come across as frequently hammy. Riley's "I guess I like her" speech is an example of this. He really does rub off as so nice that there's got to be something wrong with him. However, when he punches Parker out for saying that Buffy is too whiney (which is shamefully what a lot of the BtVS community thinks of her too), I can't help but love the guy for it. His attempts at gaining information on Buffy are also very well-intended.
Riley and Spike both go looking for Buffy in her dorm and find Willow there instead. At first Riley doesn't win Willow over in their very interesting conversation. She says, "Why should I trust you?" He replies, "Just sort of hoping you'd think I have an honest face." She uses recent experiences (Parker, and to a lesser extent, Oz) to shoot him down: "I've seen honest faces before. They usually come attached to liars." He is sympathetic and says, "I appreciate you wanting to protect your friend. I guess, uh, she kind of brings that out in people." Riley, of course, observed Buffy stick up for Willow when Professor Walsh was overly cruel to her. Before he leaves the room Willow begins to feel like her pain is robbing Buffy a chance to meet someone new, and that that isn't fair to her. So she opens up a bit and gives Riley a bone. She says, "She likes cheese ... She has a stuffed piggy named Mr. Gordo, loves ice capades without the irony." Cheese rules all.
Later on at the party Willow helps Riley approach Buffy, but all he can think of is to offer her some cheese. This doesn't go over too well and ends with Buffy running off with a very poorly dressed Xander. At the end of the episode, when Riley gets another shot, he makes some progress by asking, "Did Willow tell you I like cheese?" Buffy calls him peculiar, which is what Riley called her earlier and he says "I can live with that." I sure know that if a pretty girl walked up to me offering cheese that I'd be pretty happy. So I'm very pleased that cheese won the day in this situation.
The Initiative, what Riley is a part of, gets a solid introduction here, even if it comes off as very hammy for a secret military group. I love their big hanger bay and the Initiative theme song. It's also fun to see that Professor Walsh is the one running the show. She's actually a pretty fascinating character, which makes me wonder why she got killed off so quickly. More on that when the time comes though. The fight scene towards the end also worked for me. I enjoyed the complete chaos of it, what with Willow trying to crawl away, Riley saving her, Spike trying to escape, and Buffy firing a flare gun and laying the hurt on the military boys. The commandos should have been far more beaten up by Buffy than they were though. I only wish that this arc would have been developed sooner than six episodes from now.
A lot of stuff is going on with Spike here as well. He now has the chip in his head and begins the process of learning what that means for him. The chip comes off as pretty inconsistent in this episode though. He's able to lay several blows on various people without his head exploding in pain. The only time we outright see him have problems is when he tries to bite people. This is changed in the following episodes. Anyway, this was a really smart move by the writers. This gives him an excuse to be a regular on the show and allows his character to be developed in new areas. A scene in particular which I adore is when he violently attacks Willow in her dorm (even though he is looking for Buffy). This is very brutal and feels very much like a rape scene. After the break, though, we see that Spike can't bite her. A brutal scenes now turns into an impotence parody and the two of them pull it off hilariously. Spike even points out that back in "Lover's Walk" (3x08) when Willow was wearing the pink lilac sweater he wanted to bite her. Willow tries to be kind and tells him, "You know, this doesn't make you any less terrifying." Spike amusingly replies, "Don't patronize me." The truth of the matter is that Spike isn't terrifying anymore. It will be a little while ("Doomed" [4x11]) until he finds out that he has other ways of inflicting damage.
Xander and Giles get some fun bonding time again. Boy these two are really at a really pathetic place right now. Early on we see them doing research alone together. Xander's so bored that he, in jest, suggests they summon a demon and "kick its ass." The writers also firmly establish that Xander's military skill is completely gone. I'm personally happy about this, because there really needs to be someone in the group who has no special knowledge or skills. He claims he still has good hand-to-hand skills and then later has a slap fight with Harmony. This moment has to constitute a new low point for his character's ego. Wow was that both pathetic and hilarious.
To finish up here I'll say that this is a strong episode which covers a lot of important ground. Some of it came across as a bit hammy and lightweight for the main arc of the season, but fun was definitely had. When pitted against the arc-initiator episodes from other seasons we can see that this one definitely lacks the same intensity and punch (i.e. "Revelations" [3x07] and "No Place Like Home" [5x05]). It's certainly a solid start, though, which leaves me interested for more.
| - | Minor Pros/Cons (+/-) |
| Pros: | |
| + | Riley ignoring his friends' sexually aggressive attitudes. |
| + | Xander perking up when hearing Buffy's comment about putting something 'slutty' on. |
| + | The re-use of the same vamp which got caught back in "The Freshman" (4x01). |
| + | Spike throwing the other vamp into the commandos to be staked. "New plan, you go that way." |
| + | Willow trying to conceal Buffy's weapons from Riley, but he just bends down and pushes them under without looking. |
| + | Harmony putting up a unicorn poster in her cave. |
| + | Buffy and Riley's fun outdoor night chat. They both hear a girl scream and run away. |
| + | Professor Walsh is the one who designed Spike's chip. |
| - | Foreshadowing |
|
| - | Quotes |
| RILEY: | There's definitely something off about her. |
| GRAHAM: | Maybe she's Canadian. |
| : | (Giles holds up the drawing of commando guys) |
| XANDER: | The latest in fall fascism. I like it. |
| BUFFY: | (Cutting off Xander.) With the black hole of despair she's been living in since Oz left? She's dealing. I'm helping. It's hard. Ergo, party. You two can take patrol. Now, if you'll excuse me, I need to go find something slutty to wear tonight. |
| VAMPIRE: | They starve you. When you're ready to bite your own arm, they shoot out one of those packets. You drink, and the next thing, you're gone. And that's when they do the experiments. |
| SPIKE: | And, uh, they are? The government? Nazis? A major cosmetics company? |
| BUFFY: | Stupid pen. My notes! |
| WILLOW: | Ballpoints can be tricky. |
| XANDER: | Might as well face it. Right now, I don't have the technical skills to join the swiss army. And all those guys ask you to do Is uncork a couple of sassy cabernets. |
| X'S MOM: | I made up a nice fruit punch for you and your friend. Would you boys like some? |
| GILES: | Is it, uh, raspberry fruit punch? |
| WILLOW: | Ok, say that I help, and you start a conversation. It goes great. You like Buffy, she likes you. You spend time together, feelings grow deeper, and one day, without even realizing it, you find you're in love. Time stops, And it feels like the whole world's made for you two, and you two alone, until the day one of you leaves and rips the still-beating heart from the other, who's now a broken, hollow, mockery of the human condition. |
| RILEY: | Yep, that's the plan. |
| XANDER: | Every man faces this moment. Here. Now. Watching. Waiting For an unseen enemy that has no face. Nerve endings screaming in silence. Never knowing which thought might be your last. |
| GILES: | Oh, shut up. |
| RILEY: | You don't understand. I'm good at things. That's what I do. Work hard, apply myself, get it done. |
| WILLOW: | Well, you failed extremely well. |
| RILEY: | That's a great comfort to me. |
| WILLOW: | You need to relax. I mean, you're not proposing. You're just making contact, getting a reaction. Any reaction is ok, except projectile vomiting. But, what are the chances of that? |
| - | Score |
| 85/100 | B+ |
Just misses the mark of excellence. Essentially, a great episode that's rough around the edges and/or slightly flawed. Extremely fun to watch.
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| - | Screencaps |
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| - | Comments (17) |
| 1. | ChebonneDec 1, 2006 (Fri) | |
| WILLOW: Ok, say that I help, and you start a conversation. It goes great. You like Buffy, she likes you. You spend time together, feelings grow deeper, and one day, without even realizing it, you find you're in love. Time stops, And it feels like the whole world's made for you two, and you two alone, until the day one of you leaves and rips the still-beating heart from the other, who's now a broken, hollow, mockery of the human condition. RILEY: Yep, that's the plan. Isn't that what happens later, sorta, but without the "hollow mockery of the human condition"-bit? |
| 2. | LibMaxJul 26, 2007 (Thu) | |
| There are many, many things about this episode I like. MikeJer hit all of them but one - Willow's reaction when Riley got shot down by Buffy. She gets way too much schadenfreude out of it - just laps up Riley's humiliation like a big bowl of cream (though she also tries to help). Willow does have a passive-aggressive mean streak a mile wide, especially when she's hurting, and this scene is one of the cuter and subtler displays of it. But I really do not like scenes in which the writers sacrifice things we already know about the central characters to get a laugh, and there are two huge instances in this episode. The first is Xander's slap fight with Harmony. Now, if I'd never seen Xander or the series before and never planned to see it again, I'd say that scene was hilarious. But since I have seen Xander's earlier episodes, it comes out phony, not funny. Xander can fight. We've seen him fight vampires. We've seen him fight female vampires. He ain't the Slayer, but we've never seen him kick and pull hair like a third-grader, either. His military "training" (from Halloween) is gone? He could fight *before* that episode - we saw him do it many times. And again, maybe he wasn't Bruce Lee, but he never utterly humiliated himself, not even in Welcome to the Hellmouth. The other one is Willow's scene with Spike, the "that happens to lots of guys" scene. Now when exactly did Willow become a ditz who's okay with being killed or turned into a vampire? She actually seems to feel a little bit bad about missing out on it (yes, she snaps out of it eventually, but look how long it takes). The scene itself is actually quite cute and clever if it had been played with Harmony or someone like that, but we know that Willow is smart and that she's seen herself as a vampire and doesn't like that color on her. I've heard comparisons drawn between this scene and other scenes in comic episodes where the characters seem to have become brain-dead, specifically the scene between Willow and the Buffybot in Intervention. But there's a difference. In Intervention, the Buffybot scenes are comic throughout, and Willow's little lapse comes on top of previous scenes with Xander and Anya making the same mistake with a bit more justification. Besides, the Buffybot looks exactly like Buffy, people tend to see what they're looking for, and Willow has no particular reason to think that Buffy might not really be Buffy. It's just a case of not noticing. But in The Initiative, Willow can't have failed to notice that Spike just threw her down on a bed and tried to bite her neck. And yet she's comforting him a minute later, and feeling disappointed that he couldn't follow through and that he was looking for Buffy and not her in the first place. Is it better if we consider the scene metaphorically? Metaphorically, what preceded this dialog scene was an attempt at violent forcible rape. Shouldn't Willow still be trying to get out of that room as fast as she can, any way she can? If I watch only Spike's side of the scene and forget that it's Willow he's talking to, the scene is clever and funny. But it's an outrageous slander on Willow's character, and that continues to burn after the laughter dies away, just like the Xander/Harmony scene. Stuff like this can ruin an otherwise good episode for me. It's like eating an ice cream sundae with just a little bit of turd mixed in. |
| 3. | mikejerJul 26, 2007 (Thu) | |
| Although I see your your viewpoint here LibMax, I can't say I see things the same way. With the Xander/Harmony thing, I buy it. Firstly because Xander is in an extremely pathetic streak right now and secondly because Harmony was this ditzy girl from high school who is still ditzy as a vampire. Xander clearly wasn't even trying to stake her (and Hamorny was also not even trying to bite Xander). When looking at it like that, it really works for me. As for Spike, I also disagree with your interpretation of the events. Think about it this way: when Spike initially gets in her room, Willow tries to run away and fails. When Spike then fails to bite her (and looks utterly pathetic for it), she uses this chance to lull him into feeling comfortable with her by turning on her trademark cuteness (and remember, the Scoobies have a remarkable ability to still be somewhat jovial when they're in danger), just like she did to a lesser extent in "Lover's Walk" when she patted him on the back as he wept. As soon as Spike is really wallowing in himself, Willow slowly gets up and smashes an object over his head, thereby giving her a real opportunity to escape, when if she tried before that, she clearly would have failed. I think the scene works every way you look at it: humor, characterization, and believability. But maybe that's just me. So, in the end, I don't agree with your complaints. However, I do agree wih you on your comment about the Riley rejection. :) |
| 4. | LibMaxJul 28, 2007 (Sat) | |
| Okay, MikeJer, fair enough. To me, the Xander/Harmony fight is like the Buffy/Sunday fight in The Freshman. No matter how poorly things are going for Xander, I don't see him suddenly forgetting how to fight. And even if Harmony wasn't really trying to bite him, I don't see how Xander could have known that, and vice versa. I agree with you about Harmony and don't have any problem with her being pathetic in a fight, just Xander. With Willow and Spike, all I can say is, watch the scene again. I'd love to think that she is just leading him on and looking for an opportunity to escape, but I don't think AH's performance justifies that interpretation. She seems quite genuinely disappointed, and only seems to come to her senses just before she picks up the lamp. If the theory is that Willow is just that good an actress, remember Dopplegangland. In Lover's Walk, I think she just didn't know what else to do, and escape in that instance appeared to be clearly out of the question. YMMV. |
| 5. | AustinAug 29, 2007 (Wed) | |
| Anyone notice at the party when Riley changes the song 'cause willow doesn't want to listen to the Dingoes, the song it changes to is the one Veruca sings? Or at least I think it is... |
| 6. | buffyholicNov 4, 2007 (Sun) | |
| I´m a big fan of this episode. So many moments that I adore and I think your review really mentions all of them. The Willow/Spike scene is extremely funny and truly one of my favorites of the series. |
| 7. | wilpy1Mar 2, 2008 (Sun) | |
| I love that Riley's old-fashioned view of women is introduced so early on in his development. It's a big part of his character, and is ultimately why he destroys his relationship with Buffy. I think this episode's quite good. It's certainly my favourite season 4 arc episode, though that's not saying much. (Actually, 'The Yoko Factor' is good competition.) The Xander/Harmony battle is probably one of the most hilarious scenes in the series. I just LOVE when the show self-parodies. The 'fighting music', the slow-mo... pure comedy. :D |
| 8. | BillMar 2, 2008 (Sun) | |
| I believe that Buffy treating Riley like a second rate person and constantly pushing him away had more to do with their relationship ending that did Riley's views that were for the most part tempered down by the end of season 4. |
| 9. | leeMay 4, 2008 (Sun) | |
| excellent episode in an excellent season. i liked the initiative arc alot, this episode was a superbe start to the 'initiative' a few defining key moments too(rielly+co workin for initi, spikes chip) |
| 10. | TonyJul 2, 2008 (Wed) | |
| Okay Libmax, the whole not buying the Xander/Harmony fight is dumb. It's meant to be funny. Xander has respect for girls and wasn't really willing to kick her ass. She slapped him across the face. To him, it was just Harmony from high school slapping him in the face. He wasn't going to punch her out and kick her when she was down. So he kicked her in the shins. Then he went along with her way of fighting. It was a hilarious scene and you're taking it waay to seriously. And the Willow/Spike scene, I see it as her just growing a fondness towards him. She wasn't depressed that she didn't get killed, it was just her sorta feeling pitty for how Spike is basically pathetic. An evil vampire turning into a loser. It was her being nice to him so that he wouldn't attack her anymore, that just made her get into the conversation and feel for Spike. |
| 11. | AndrewAug 31, 2008 (Sun) | |
| I actually liked the Willow/Spike scene, but while liking it I agree with LibMax- I can't really justify Willow's behaviour. But the scene was so good I can forgive it. I have a similar response to the Xander/Harmony fight. Spike's chip being inconsistent bothers me rather more actually. He was able to seriously beat up the lab-coats who came to take him away, and then throw Willow (pretty hard, but the looks of things) against a table, and then finally do some more beating up of Riley and his mooks. One could, I suppose, rationalise it by saying that the chip took a while to take full effect, but this seems a bit of a dubious explanation, particularly as no one profers it. |
| 12. | PaulaSep 9, 2008 (Tue) | |
| Re: the inconsistency of the chip, I know it's probably due to the writers not having quite thought things through yet, but I wonder whether at least a partial explanation might not be Spike still having some chip-pain medication in his system at this point. In S7 (The Killer in Me) he reminisces, "Any time I got a little... rambunctious, the chip would kick in, I'd feel like my head was gonna explode, they'd dope me up, and everything would be all daffodils and teddy bears. For a couple hours, anyway." Combined with the pain-reducing effects of a good ol' adrenaline rush, that might somewhat plausibly explain why the chip doesn't kick in as efficiently here as it soon will. Oh, and that Willow/Spike scene is silly but very fun. I remember really wondering whether the writers were going to go "Spillow" later on - that, too, might have made sense. Instead though, of course, we got "Spuffy". |
| 13. | Suzanne BFeb 4, 2009 (Wed) | |
| Was it foreshadowing when Spike says," And, uh, they are? The government? Nazis? A major cosmetics company?" ? Because, as we find out in Angel, season 5, Spike was caught by the Nazis and was being shipped to Germany on a submarine. I always liked the thought that he was remembering that. Although, we, of course, don't actually find that out until BtVS is over and Spike is on AtS. Just a thought. |
| 14. | EmilyApr 29, 2009 (Wed) | |
| I know you mentioned the scenes where Riley and Spike both say that have to go see a girl, but you didn't mention it in the foreshadowing section. I was wondering if it could possibly be seen as a foreshadowing to the "competition" between Riley and Spike over Buffy (and I put it in quotes because I don't think they ever actually fight over her). |
| 15. | StilichoMay 15, 2009 (Fri) | |
| I like that the writers didn't pass over the fact that Willow has to invite Spike to her room so that he may come in. I overlooked that little thing at first, but when I watched "The Yoko Factor" where it is not enough Buffy saying "I guess" (=I guess you may come in) to enable Angel to enter the room, I thought back wether Spike was actually invited, if the writers sticked to the rule. Now I took a look at this scene again, and here it is: *knock knock* - "Come in!" It is really satisfying that these small details get the required attention as well. |
| 16. | SeleneJul 8, 2009 (Wed) | |
| Best line in the episode, Willow to Riley at the party: Then talk. Keep eye contact. Funny is good, but don't be glib. And remember, if you hurt her, I will beat you to death with a shovel. A vague disclaimer is nobody's friend. Have fun!
I thought the Willow/Spike scene hilarious and actually perfectly in character. Willow is a 'comforter.' She sees someone in pain and her first instinct is to comfort them. This is especially at the forefront of her personality now that she herself is in so much pain. So when Spike realises he can't bite her and is upset about it, she tries to comfort him. We also see this at the party when she tries to comfort Riley after he 'fails extremely well' to attract Buffy's attention. |
| 17. | LucyAug 14, 2009 (Fri) | |
| It's also fun to see that Professor Walsh is the one running the show. She's actually a pretty fascinating character, which makes me wonder why she got killed off so quickly.
I think she got a part in a film (the insider I think) and left abruptly. That's why we ended up with the obviously-thought-up-at-the-last-minute Adam. Season 4 is such a shame. I like it, but it stinks of missed opportunity. |
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