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WILD AT HEART (4x06)
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A review by Mikelangelo "MikeJer" Marinaro,
February 19, 2006

Writer: Marti Noxon
Director: David Grossman

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- Review

The writers were presented with quite the challenge here. Seth Green wanted to do movies, so they had to find a way to write his character off the show that made sense. They led up to this with a quick glance in "Living Conditions" (4x02) and a real hint of problems to come in "Beer Bad" (4x05). This is Oz's sendoff and while he doesn't come off as completely in character throughout the entire episode, it mostly works and makes for quite an emotional ride. Considering the constraints they were under, I call this a success.

The Willow/Oz problems pick up right where they left off in "Beer Bad" (4x05): Veruca. She's singing again at the Bronze and the gang (with Giles, more on this later) is listening in. This scene is utterly brilliant because of the silent conversation that is had between Buffy and Willow. Buffy notices that Willow wants Oz's attention, which is currently being mesmorized by Veruca, off Veruca a bit. So Buffy pipes in and asks Oz about his band. He responds slowly with a distracted response and quickly returns to staring at Veruca singing. Buffy gives Willow a "sorry, I tried" expression and Willow responds with a silent "darn, but thank you for trying" look. In this interchange we have no words spoken, lots of subtlety, and I completely understand what's going on. Like I said before: brilliant!

The scene doesn't end there though. Willow still tries to get Oz's attention and says, "they're good, aren't they?" Oz responds, "nothing special." Buffy then sweetly tries to help her again and says, "yeah ... color me bored." Giles then completely ruins their attempts by complimenting Veruca. Buffy then immediately gives him a "GILES! Don't say that" wide-eyed look even though he doesn't notice her. This is when Willow gets a really worried look on her face like she can sense there's big trouble ahead.

Trouble is indeed what's quickly happening. Not too far later Willow catches Oz and Veruca chatting at a table together. She looks a bit surprised and worry for a second, but then puts on her brave face and marches forward to jump into the conversation. Unlike Buffy, who would feel hurt and run off, Willow is able to suck it up and face the conflict. Good for her! This scene, with the three of them sitting at a table together, is incredibly awkward for all of them. Willow ends up being a bit embarassed by mistaking their musician talk for the name of a song. Oz takes off first quickly followed by Veruca, who manages to sneak in a quick insult about Willow's "birthday cake" shirt.

It turns out Veruca is, of course, a werewolf. Oz ends up escaping his cage and fighting (among other things) with Veruca. This leads to a speech from her about Oz's nature, which while heavy-handed at times, gets the point across. She says, "you're a wolf all the time and this human face is just your disguise." He pushes her dialog off and is able to leave for now. A bit later, Willow stops by his dorm room dressed up all in leather like Veruca which is strange, yet touching at the same time. She wants to have sex with him but he pushes her away. He says "nothing's wrong," and I genuinely feel that he believes that right now. He thinks he'll be able to push Veruca away and that it won't be an issue. What's really surprising is that he doesn't tell Willow what happened the previous night, or that he even got out of his cage. At least he doesn't try to deny it when Buffy catches him welding his cage back together.

Willow, now very confused, goes to Xander for some advice from the male side of the species. Xander tells her exactly what she needs to know and manages to be very amusing at the same time. He says, "But you are [jealous and worried]. And odds are, he feels it. I'll bet that's all there is to the weird you're feeling. You guys should talk things out, Will. You'll both feel better." Here's yet another piece of evidence to support what people just begin to notice of Xander in S7.

Anyway, Buffy investigates to see if Oz knew anything about the loose wolves the previous night and notices that he got out. One thing that really bugs me here is that he doesn't tell Buffy that Veruca is the other wolf. It's always been in Oz's character to be open and straightforward with people and I feel that this is a a bit out of character. Later when the sun goes down and Veruca meets him by his cage, they begin kissing and end up doing who knows what together as wolves. This could also be interpreted as out of character, but I'm willing to excuse his actions based on the fact that he'd never been with a female wolf before. It's likely he didn't know how powerful his attraction to one would be, especially right when he's changing into a wolf.

The next morning Willow comes to bring Oz some food and finds him completely naked cuddled up around a naked Veruca. This scene involves lots of fabulous acting from both Alyson Hannigan and Seth Green. Oz brings up the Willow/Xander 'thing' back in S3 but she points out it's not even close to the same, and she's right. She's also correct when she tells Oz he should have told someone about what was going on and that locking Veruca up with him wasn't his only option by a long shot. During all of this Oz yells at Veruca to leave the room, which is very effective, and admits to Willow that he does have lusty feelings towards Veruca along with the fact that he wants Veruca more, in an animal way, than her. This is when Willow completely breaks down and storms off barely being able to keep herself from falling over. Her reaction is very reminiscent of Buffy's in "Innocence" (2x14).

Later on Buffy tells Willow "The main thing is put the blame where it belongs." I think this statement was remembered by Willow long after this episode. Not only does she begin a dangerous cycle of turning to the darkest black magic available to her every time she is emotionally traumatized, but Buffy's words to her also fit every time she does it. Obviously Buffy never meant for Willow to hurt herself in the process of putting the blame where it belongs. Willow has taken that phrase and twisted it to fit her own desires and motivations. This is very cool setup for what's to come and is also able to serve the issues that are currently in front of everyone.

After failing to go all the way on her dark spell, Veruca tries to kill her and Oz ends up killing Veruca while trying to protect Willow. Now in full werewolf form, Oz charges after Willow and Buffy tranquilizes him. Willow loses it again and starts just pouring streams of tears out while Buffy holds her, just like Willow held Buffy when she was in pain during "The Prom" (3x20). This is very touching and sad to watch. After all of this Oz makes the decision to leave town, to figure things out. He says to Willow, "Veruca was right about something. The wolf is inside me all the time, and I don't know where that line is anymore between me and it. And until I figure out what that means, I shouldn't be around you... Or anybody." He kisses her and then abruptly leaves. While in his van he looks back to the dorm, very much in pain and wanting to run back to her, but instead sucks it in and drives away. Bye Oz, you've been highly entertaining to watch and I will definitely miss you.

Before I wrap up this review I'd like to point out a few interesting pieces of development for Giles. Early in the episode he appears at the Bronze just to hang out with the Scoobies. This obviously surprises all of them, who aren't used to him being around for anything other than work. I like how Oz says, "Don't scoff, gang. I've seen Giles' collection. He was an animal in his day." Xander, though, as knowing as he is simply jumps to the heart of the problem. He says, "Isn't home that empty place you're trying to escape?" Further along in the episode we see Giles guessing answers to a game show on TV with a sweat shirt on. He sure isn't the tweed-clad stuffy Watcher anymore, that's for sure.

This episode is an emotional ride which explores and develops Oz's werewolf nature (which should have been talked about more in S3). It also develops Willow's budding magic habit and devastes her emotionally in the process. So a lot of important character threads are moved along and Oz ends up leaving -- quite the episode, though not perfect. Fortunately the writers got the vast majority of it right.



- Minor Pros/Cons (+/-)
Pros:
+  
Buffy's relocate and disappointment that the vamp didn't get her pun.
+  
Spike's macho speech being interrupted by the Initiative guys and their tasers. I love how we don't see what happened to him until the next episode.
+  
Willow's explanation of why they keep going back to the Bronze. It's a "place blanky."
+  
Willow is cute when she wakes up with Oz in the morning.
+  
Buffy making Willow academically jealous of her for the first time.
+  
The collection of infomation we've been sprinkled about Xander's family.
+  
Buffy doesn't save Willow from being hit by the car -- Riley does. Cool. I also liked Buffy's silent "thank you" to Riley afterwards.
+  
Buffy telling Oz that it's time for his trademark stoicism.
+  
Buffy telling Giles she doesn't want Willow to use her as a role model for dealing with pain.


- Foreshadowing
  • Riley briefly gives Buffy a glance of interest when she leaves after overhearing Professor Walsh talking about the "wild dogs."
  • The episode begins the pattern in Willow where when she is seriously emotionally hurt she'll use the darkest magicks available to her to exact vengeance on those who caused her the pain. She isn't able to actually go through with it here, but she very well does in "Tough Love" [5x19] and "Villains" [6x20]. The road to Dark Willow is being paved right here!


- Quotes
BUFFY:  
Thanks for the relocate. I perform better without an audience. You were thinking, what, a little helpless coed before bed? You know very well, you eat this late... (She stakes him.) You're gonna get heartburn. Get it? Heartburn? That's it? That's all I get? One lame-ass vamp with no appreciation for my painstakingly thought-out puns.

XANDER:  
Coed dating prospects who find townies sexy and dangerous. What, I can dream.

BUFFY:  
And she wants me to lead a discussion group next class. That means more work, right? Shouldn't she have a better reward system? You know, like a cookie or a toy surprise like at the dentist?

WILLOW:  
How come you didn't tell me I look like a crazy birthday cake in this shirt?
BUFFY:  
I thought that was the point.

WILLOW:  
Well, things with Oz are weird. And I talked to Buffy about it, but I think we're in guyville here. I need a translator from the "y" side of things.
XANDER:  
Well, last time I checked, I had the creds.
WILLOW:  
What does it mean when a girl wants to... You know.
XANDER:  
If you're doin' it, I think you should be able to say it.
WILLOW:  
Make love.
XANDER:  
Wild monkey love or tender Sarah Mclachlan love?
WILLOW:  
Any kind. But what if the girl wants to and the guy doesn't? That's a bad sign, right?
XANDER:  
Could be. Or the girl caught the guy in one of the 7 annual minutes he's legitimately too preoccupied to do it.

BUFFY:  
Oz... You ok? And if it's possible, you seem more monosyllabic than usual.


- Score
90/100 A-
Everything that an 'A' possesses, but with either a few more mistakes or slightly less power. Generally represents great episodes that are a tiny bit rough around the edges.


- Awards
  • Most Shocking in S4


- Screencaps
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- Comments (26)

1.20questionsgeniusFeb 20, 2006 (Mon)
I completely agree with you MikeJer, that some of the things Oz does throughout this episode are a bit out of character. I had always loved Oz and thought he was way cool and so great with Willow. So I hated that in this episode, which is pretty much the last time we see him, he did some things that made me go "Oz what the hell are you thinking?" I hated that when he, Willow, and Veruca are sitting at the table together Oz gets up and just leaves Willow there alone. To me that just seemed so, for lack of a better word, mean. I know that he gets up because he's uncomfortable with the feelings he has around Veruca, but he and Willow had made plans and he just up and walks away leaving Willow alone. To me the worst and most un-Oz like thing he does this episode in my opinion is the kiss he and Veruca share, when he's pleading with her to get in the cage with him. I know that the sun was almost down, so their animal instincts were about to kick in, but when they kissed they were both still in human form and Oz knew what he was doing. Oz has never been one to act rashly or give into spur of the moment passion. And in “Fear Itself” when Oz thinks that he is starting to wolf out, he talks himself down from it and holds the werewolf inside. I hated Oz when he kissed Veruca and I hated him even more when Willow found them together. Willow is my favorite character after Spike, so to see her in so much pain broke my heart. However, at the end I was back to loving Oz again. The conversation between him and Willow at the end brings me to tears everytime because you can just feel the pain and hurt and sadness going through both of them. The part that gets me everytime is where Willow says "Oz... Don't you love me?" and he says, "My whole life... I've never loved anything else." Oh Oz.

2.GroundedFeb 20, 2006 (Mon)
Yeah, it was all a bit rushed, hence the apparent out-of-character-ness.

I always hoped Oz would show up on Angel after this (as JW has intimated that he was going to) - I loved the Angel/Doyle/Cordelia/Oz team they had going in In The Dark. :)

3.mikejerFeb 20, 2006 (Mon)
20, I understand your feelings completely. I like Willow a lot too and it's always rough seeing her in a lot of pain.

Grounded, that combo on AtS was really fun to watch

4.bookwormFeb 25, 2006 (Sat)
two no-talks and two talk-way-too-much: yeah, that would've been great... but I often missed Oz's pointed comments; anyone graduation day pt. 2: "our life is really different from the life of others" in willow's bedroom when she tells him about invisible farns and communication with shrimp... or "we attack the mayor with hummus" after Cordelia tells that it's difficult to come up with a crazier plan...

5.DingdongMay 26, 2006 (Fri)
Mikejer, I've just seen "Wild at Heart" (I'm still catching up with episodes I missed from season 4) and I notice that you've said in your review that Oz has always tended to be open and straightforward with people. Maybe so, but he hasn't always volenteered information, and there's nothing to suggest that he doesn't prefer to sort out problems he can himself. I guess what I'm saying is that there's some evidence that he would have thought it was a problem that he could solve better himself, given his perspective, rather than leave it to the rest of the gang. He doesn't actually tell Buffy anything that isn't true, he just witholds information, much in the style of "Phases". In a way, there's evidence that it's in character for him to react in this way.

6.junMay 19, 2007 (Sat)
A small and random point: Oz wasn't living in a dorm. It was mentioned in an earlier ep that he got "a house off-campus with the band."

7.LibMaxAug 22, 2007 (Wed)
I want to emphasize the significance of Willow's spell in this episode, the actual words of it. Here's the incantation, word-for-word:

"I conjure thee, by Barabbus, by Satanis, and the Devil. As thou art burning, let Oz and Veruca's deceitful hearts be broken. I conjure thee, by the Saracen Queen, in the name of hell. Let them find no love or solace, Let them find no peace as well. Let this image seal this fate, Not to love, only hate."

First, there's no missing where this magic is going to come from, what kinds of powers Willow is invoking. But the spell itself, what she's calling down on Veruca and Oz alike! This isn't Cordelia spitefully cutting Xander's face out of pictures or making frivolous wishes. Willow knows what she's doing and knows that it's real. She only just stops herself because she happens to need Oz's picture as a component in the spell. The fact that evil, evil Veruca refers to it approvingly as "hardball" only underscores the point.

Right here is the birth of Dark Willow. Scar-ee.

8.LibMaxAug 22, 2007 (Wed)
Re: Oz acting out of character, I think that's central to the point of the episode. When Oz is the wolf, his human self has no control over his behavior - people, even including Willow, are merely food (we saw this in Phases). He can't be responsible for his actions as the wolf, which is why he pre-empts those actions by locking himself in a cage while he's still human.

But the premise of the episode is that the wolf side is taking over his human side - that his human self is becoming less and less responsible for his behavior altogether, moon or no moon. That's why he leaves. If it was just a passing infatuation with Veruca, who's dead now, there'd be no reason for him to go. He goes because he's more and more becoming an "animal" all the time.

If we're going to buy that, we need to see it in his behavior. We need to see him doing things that Oz, our Oz, Willow's Oz, would never do. Veruca's the symptom, not the disease - otherwise, it makes no sense for Oz to leave.

By the way, I'm not sure I agree that what Willow nearly did (would have done) with Xander was completely different from Oz with Veruca. But Willow is a killer debater, even (maybe especially) when she's most upset. She's very good at putting herself in the right and the other person in the wrong. We'll see that with her and Tara in seasons five and six.

9.LibMaxAug 24, 2007 (Fri)
I think my point is that, sweet as they were together and right for each other as they were in many ways, Willow and Oz were never going to "make it." First of all, happiness is boring television. Also, I think one of the points the show makes as an ongoing thing is that "love" is (and should be) something different for kids than for adults. Youth is a time to experiment, learn, and grow, not a time to make life-long commitments. That's not to endorse the Parker philosophy, but only to point out that what seems unique and eternal to the characters isn't necessarily so.

So Xander's romance with Cordelia is always played more-or-less for laughs. The flaws, the ways in which they are wrong for each other and the ways in which they aren't ready for commitment, are fairly obvious, even though they themselves are sincere and at least think that it *might* be the one great love. But the first little bump in the road breaks them up for good.

What Oz and Willow had was deeper and meant more, but it was similarly doomed, and not just because Seth Green left the series. If his wolfiness hadn't wrecked things, her witchiness would have, as it did with Tara. In fact, in Wild At Heart things teeter on that very point when Willow is about to finish her hair-raising curse. That she doesn't, and that he manages to launch the wolf at Veruca first (because the Oz-wolf doesn't love Willow any more than it loves Veruca or anything else except bloodshed) are the two things that enable them to part under less than tragic circumstances.

I often think that the reason the writers let Willow be happy in romance longer than the other Scoobies (first with Oz and then with Tara) is so that they could squash her all the more cruelly afterwards, because Allyson Hannigan plays squashed-like-a-bug so movingly and believably.

10.buffyholicNov 4, 2007 (Sun)
I agree with all that have been said here. This is really sad to watch, especially when Willow is crying her heart out and the final scene with her and Oz. I also have to agree with mike about the scene where Oz looks at the dorm wanting to go back but instead pulls himself together and goes. I love that small moment.

11.JvampJun 22, 2008 (Sun)
I find this episode nearly ruined by the girl who played Veruca's diabolical acting and singing. Cringe-worthy.

12.StephJul 7, 2008 (Mon)
Hah... I agree with Jvamp. When she was singing, it looked incredibly awkward. However, the music, itself, was not too bad.

13.AndreaJul 28, 2008 (Mon)
Re: Veruca's singing - haha, agreed, very...throaty. But kind of strangely hypnotic, which I guess was what they were going for.

I loved the character of Oz and I thought he had brilliant lines always... In the commentary of Earshot (S3) Jane Espensen noted that the writers always found it extremely difficult to write for Oz, simply because he said so little that when he did say something it had to be rrrreally good - a couple instants that come to mind are his and Xander's conversation about what makes someone cool in The Zeppo, or his thoughts in Earshot ("Buffy thinks, therefore... we are...") were amazing - and I think they always did a fantastic job. Seth Green was great as Oz, delivering lines like, "Maybe." or "Not the way I play it." and getting a huge laugh from them.

Also wanted to comment on that + of Spike's intimidating speech in the beginning getting hilariously interrupted by the Commandos... Small stuff like that is what makes Joss Whedon and all his shows/etc genius. The evil villain, about to make a general evil villain speech, the music starts to rise and becomes tense, the camera zooms in ultra-dramatically on Spike's smoldering - evil, I mean, evil - cheekbones, and then BAM: pie in the face! Or, in this case, laser guns to the back. Classic Joss. I lol (literally) every time. After a while you begin to sense when Joss is going to do this - it's pretty consistent in Buffy when some character is about to take him- or herself too seriously, but in Angel I found myself almost confused when they allowed Angel to get away with making his painfully melodramatic speeches *without* following it up with a laugh. I guess that's one of the differences between the series, though.

14.jarppuJul 28, 2008 (Mon)
Re: Melodramatic speeches - In season 7 Buffy had a lot of melodramatic speeches without following it up with a laugh. So Angel doesn't have the exclusive rights for it.Also they do make fun of Angel's speeches especially in S5("Weren't you even listening!?" -ha!).

I really loved how the made fun of Spike in S4. Too bad in S5 and onward they took sucked the fun out Spike.

15.bigmoneygripOct 29, 2008 (Wed)
The way Buffy held Willow as she cried at the end reminded me of the way Xander held Willow as she cried at the end of Grave.

16.MrTrickNov 1, 2008 (Sat)
And there he goes. Too bad, really, as Oz is one of my favorite characters in the entire show. And then we get Tara instead, who doesn't really do much other than stutter and say "darling" a whole lot.

I agree with the whole melodramaticism followed up with a laugh thing, which is so consistent it really loses a lot of its impact after a while. There aren't many episodes that doesn't start with "scary suspenseful scene" that turns out to be something different entirely, or just blown off, like with Spike in this one.

Overall though, this is a pretty good episode, despite some flaws that's already been pointed out. I also loved how they actually let Oz kill Veruca. Too often they let people get away with murder on this show, just on account of them being people, while demons who act just the same can be beaten up and killed without a second glance (see for example the one in s3 who wants to sell the books of ascension). There's some real demon-related racism going on here.

17.JoeWMar 15, 2009 (Sun)
I like Tara more than Mr. Trick, above, does. I think she has some of the strongest moments in "The Body," for example, especially near the end when she's talking about her own mother's death. ("It's always sudden.")

18.JoeWMar 15, 2009 (Sun)
I like Tara more than Mr. Trick, above, does. I think she has some of the strongest moments in "The Body," for example, especially near the end when she's talking about her own mother's death. ("It's always sudden.")

19.JoeWMar 15, 2009 (Sun)
Sorry for the triple post! I only clicked once, I swear!

20.EmilyApr 27, 2009 (Mon)
"I know what you love. I have his scent on me right now." I don't think this is necessarily foreshadowing, but I think it's karma bites back for Oz when he smells Willow on Tara later on.


"...they begin kissing and end up doing who knows what together as wolves. This could also be interpreted as out of character, but I'm willing to excuse his actions based on the fact that he'd never been with a female wolf before."

I agree with you about excusing his actions, but only so far as to say that kissing Veruca was OOC. That's not the only thing about this that was OOC. Oz willingly surrendered here to the nature of the wolf. THAT'S what's OOC here- the fact that he gave in, when he always fought against it before. That's not something I can excuse, and I don't think it was well done by the writers.


I miss Oz!!

21.EmilyApr 27, 2009 (Mon)
Also, SERIOUSLY with the army green clothes? I never noticed it before, but Buffy is pretty much wearing green and green only since the beginning of the season.

22.Elianne23May 12, 2009 (Tue)
I always thought that Oz was doing whatever it took to get Veruca into that cage, even if
it meant giving in to his attraction to her. It seemed premeditated to me, and it was
completely in character for Oz to try and protect others from Veruca the werewolf.
However, he could have shared everything with the rest of the gang and a solution could
have been found. Maybe this is a flaw in Oz's character - the reticence is a result of his conflict
between his love for Willow and lust for Veruca - and explains his actions somewhat. I thought
this episode deepened Oz's character a lot and it's too bad there was no opportunity
to explore it later on in the show.

23.SeleneJul 8, 2009 (Wed)
This episode breaks my heart every time I see it. While some of his behaviour is OOC, one of the things that upsets me every time is that Oz tries to equate what he's done with Veruca with what Willow and Xander did in s3. As Willow said, it doesn't compare. She and Xander kissed; several times, but in the end all they did was kiss. Oz (willingly, the second time) had wild animal sex with Veruca. There really is no comparison

As previously noted, Willow immediately tries a spell as a solution to the situation. Everyone talks about how Willow's intyerest in magick stems from a desire for power, so isn't it realistic that in this time of feeling so extremely powerless, she would try to regain some semblance of power? And in the end, her love for Oz prevents her from completing the spell.

Interesting note, this is the very first episode of Buffy that made me cry. I started to tear up when Willow tells Oz "Don't touch me!" and by the end I am bawling like a little baby.

This episode is such a wonderful showcase of Alyson Hannigan's talent. Idon't mean to denigrate Seth Green or anyone else in the episode, except for the actress who played Veruca, who was truly awful, but tgis was Aly's show all the way.

24.WulvaineNov 15, 2009 (Sun) @ 11:43pm
This episode makes me sad in a way few in the entire series can.

To begin with, Oz is one of my favorite characters in the Buffyverse, and I wish Seth Green hadn't decided to pursue film, because I would have loved to see his character claim a more central role in the series.

I do understand that Seth's decision forced the writers' hands, this sudden lust for Veruca seems very un-Oz.

I feel like quite a few things the writers had to have Oz do to usher him away from Sunnydale were out of character, some only slightly but some SEVERELY. The kiss with Veruca? Oz trying to justify his actions by referencing the Xander/Willow kiss? This is not the Oz we know and love.

And I'm a big fan of the Oz/Willow pairing, so to see him go and to see Willow's heart break like this... :( I think it's a testament to Whedon and ME's writing team that I can get so attached to the characters in this show that I begin to show mild symptoms of becoming a shipper.

In terms of drama, though, it does its job well, and Alyson Hannigan and Seth Green both knock the ball out of the park and into orbit here. I just wish Oz could have been more in-character here, or better, that Seth could have stayed with the show.

25.WulvaineNov 15, 2009 (Sun) @ 11:56pm
Also, the actress portraying Veruca was truly abysmal, as others have stated.

26.NixNov 22, 2009 (Sun) @ 8:25am
Truly abysmal? Surely you jest. Compared to the Anointed One, Veruca was merely mildly wooden.


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Copyright © 2009 CriticallyTouched.com, Mikelangelo Marinaro (e-mail me at: mikejer(at)criticallytouched(dot)com). All rights reserved. Unauthorized reproduction or distribution of any review or article on this site is prohibited. All works and related characters are property of Joss Whedon, Mutant Enemy, 20th Century FOX, Universal Studios, Dark Horse Comics, and IDW Comics. I have no affiliation with Joss Whedon or any of those companies.