| [LIGHT | DARK] | NAVIGATE: ⇩ CRITICALLYTOUCHED.COM |
|
| home | reviews | articles | links | discussion |
| Writer: | Joss Whedon |
| Director: | Joss Whedon |

| - | Quick Links |
| - | Review |
This is my favorite episode of Buffy the Vampire Slayer. Since BtVS is my favorite television show, that means that this episode represents my favorite television episode of all time. While many other episodes in this series come close, none other can evoke the same range of polar opposite emotions from me. In one moment I'm literally rolling on the floor, uncontrollably laughing, while in another I'm literally crying (and I don't cry when watching film). In addition to the awesome range of emotions brought out in me, there is perfect pacing, perfect music, and one memorable scene after another nonstop from the beginning of the episode until the credits roll. This episode is utterly perfect and represents the pinnacle of episodic television. The entire season built up to this point and the payoff is beyond comparison. So without further generalized praise from me, lets get started with the review!
It begins right where part one left off, with Buffy being arrested for suspected murder. Buffy knows she doesn't have time to deal with the cops so she throws one of them on the ground and flees the scene nearly being shot in the head in the process by another cop. She ends up at the hostipal to see how everyone is. The scene in Willow's hospital room shows just how far Cordelia has come this year. She went from resident bitch in S1 to slightly caring bitch in S2. Now at the end of the season she is showing genuine concern and care for both Xander and Willow. This kind of slow and natural character development is truly rare on television, but this series has it in spades as exemplified by Cordelia here.
As much as most of the characters have evolved in this season, the focus here is squarely on Buffy. Whistler says to her, "In the end, you're always by yourself. You're all you've got. That's the point." This is a truly complicated statement. To some extent, Buffy will always be cut off from others because she is the Slayer. She explains this to Xander again during "Selfless" (7x05). But at the same time Buffy does have friends which make a tremendous difference in helping to keep her rooted in this world. This is something that gives her strength and makes her a unique Slayer, made evident by Spike in "Fool for Love" (5x07).
Buffy may very well be always alone dealing with Slayer duties, but when it comes to her raw emotions and sharing them with others she will never be alone because of her existing and created family. This is why when faced with her boyfriend leaving her, her mother dying, and having to sacrifice her sister, Buffy admits she simply cannot comprehend 'life' anymore. She can't believe she's being ask to sacrifice her own sister after everything she's been through. So instead she sacrifices herself to save her sister in "The Gift" (5x22). When Buffy's emotional support buckles she becomes useless and that death wish Spike says all Slayers have creeps to the surface.
The Whistler talk leads directly to the Spike scene by the police car. It actually makes a ton of sense for Spike to help Buffy after what Angelus has put him through. Spike is not only hilarious here, but also offers up more insight into his character. A lot of people complain that in "Innocence" (2x14) he wanted to destroy the world but now he is interestingly defending it. Well, when Spike's immobilized, unhappy, and downing bottles of alcohol, he'll do anything to make himself feel better. In "Doomed" (4x11) he tries to stake himself because he's so unhappy about not being able to kill things anymore. I pretty much figure in "Innocence" (2x14) he was so unhappy he took the risk of bringing The Judge back just to see some killing. I'm sure he wouldn't have let The Judge extinguish everything. Spike tells Buffy, "'I want to destroy the world.' That's just tough guy talk."
While on the subject of the awesome Spike I'll mention how much I love the back and forth glances between Spike and Buffy as they walk up to her house. Boy it's refreshing to see him out and about again. Buffy explains Spike's presence to her mom by saying, "I'm in a rock band with Spike here." This is a hilarious scene where Joyce also finally finds out Buffy is the Slayer, for real. When they get inside Buffy calls Willow to make sure everyone's okay. While she's on the phone there's a literal "rolling on the floor laughing" moment: Spike and Joyce spending extended quiet time in the living room together.
Unfortunately (in some respect) all the fun quickly ends when Joyce demands Buffy stops running out and gives her some answers. This ignites a very powerful scene between Buffy and her mother in the kitchen. Joyce grabs on tight and tells her, "Buffy, you need help!" This reminds me of "Normal Again" (6x17). We discover there that Buffy had been instiutialized in a mental hospital for a couple weeks right after she became the Slayer. Only after she stopped talking about vampires did the doctors release her. Because of this background, Joyce's ultimatum "if you walk out that door don't even think about coming back!" is extremely realistic. The scene really hits the authentic cord for me, though, because my mother has given me that same ultimatum a couple times before in my youth! The desparate ultimatum by Joyce of course backfires and Buffy leaves home.
So she just got kicked out of her own home by her mom and now she's got to save the world as thanks for it. First she needs the sword Kendra brought so she stops by the library to pick it up. This is when Principal Snyder uses his first truly golden opportunity to expel Buffy. It is truly gut-wrenching to see poor Buffy being expelled from school right after being kicked out of her home. I feel so sad and sympathetic for her right here. Amazingly, her pain is about to be amplified several times more.
At this point it would appear Buffy has lost everything: her home, her school, and her friends (in the sense of they can't help her at all). She heads back to Giles' apartment to get the scoop on how to use the sword from Whistler, who points out that she still has one thing left to lose: herself. This brings me to another complaint other people have. It's said that she only needs Angel's 'blood' to close the vortex. However, Whistler says, "one blow will send the both back to hell." It's obvious that the writers intended Angel needing to go to hell with Acathla in order to close the portal. This ambiguity doesn't bother me in the slightest because I clearly know what was intended.
So Buffy's heading in for the final showdown when Xander comes out of the woods to relay a message from Willow. He was supposed to tell her Willow is trying to curse Angel again, but instead he directly lies to her and says Willow said, "kick his ass." This lie comes out into the open in "Selfless" (7x05) in a big way. It's interesting to ponder whether he helped Buffy with that lie or ended up damaging her. There are many opinions on the matter but I tend to lean on the side that the lie hurt her. It can be argued that he lied for her own good so that she wouldn't be emotionally distracted and wind up jeopordizing the world. I don't buy that at all because I know Xander's character. He's hated Angel from the moment he first saw him and hates him even more now. Xander doesn't want Angel to get his soul back, he wants him gone. I see Xander's lie as a selfish move and one that ended up probably causing Buffy an entire summer of grief. If you don't buy my argument, just take a look at how eager Xander is to kill a soulful Angel with Faith in "Revelations" (3x07).
The final confrontation and swordfight between Buffy and Angelus is extremely entertaining, incredibly well done, completely believable, and incredibly personal. Angelus gets the upper hand and has Buffy defenseless in a corner where he tells her, "Now that's everything, huh? No weapons... No friends... No hope. Take all that away... and what's left?" Buffy's inner strength finally shows up and she sternly answers Angelus with, "ME." She fantastically stops the sword between her palms, gets back up, and begins to lay the hurt on Angelus until he's without any weapons, beat up, and ready to be sent to hell. Willow's spell succeeds in a knick of time, though, and Angel's soul is restored...
...and they live happily ever after...no wait, we're watching a Joss Whedon show where happy endings don't happen. Instead of getting your typical happy ending that every other show has, BtVS decides to go in a completely new direction. This leads to the most beautiful acting I've ever seen, done by the wonderful Sarah Michelle Gellar. You can feel the massive sense of relief in her when she initially realizes Angel is back. This makes it really painful when you see her relief and joy quickly transform into shock and grief as she realizes she must stab Angel, her true love, into the demon (banishing him to eternal hell) in order to close the vortex and save the world. She tells him to close his eyes, kisses him one last time (with utter devastation on her face), then stabs him onto the demon. The moment right after the vortex is closed is the most tear-inducing thing I've ever witnessed on film. Her slow dissolve into absolute grief, pain, and sorrow puts me in tears every single time I see it alone.
From her point of view she has lost everything. She's been kicked out of her home, expelled from school, and got Angel back only to have to immediately kill him to save the world. None of her friends could possibly understand the pain she's going through so she understably decides to leave town for good. The song "Full of Grace" is perfect for the ending sequence where Buffy watches her friends from a distance and takes a bus out of Sunnydale. Xander seems cocky in this ending and that makes me loathe him. He's the one character on this show who, most of the time, I love to hate. I dislike most of his decisions but love what he adds to the show.
Now that's what I call entertainment! There could not have been a more satisfying conclusion to this season. Kudos to everyone involved and especially to Joss Whedon for crafting his tightest script to date. This is television at its finest and is something to be treasured. I see this episode as going down in history as a new age classic of the love story gone sour. Buffy has officially taken her first big step towards adulthood and won't be looking back!
| - | Minor Pros/Cons (+/-) |
| Pros: | |
| + | This is the first time we've ever seen Willow in any kind of real danger. It's saddening to see her immobolized and out like that. |
| + | We don't see much of what Angelus is doing to torture Giles, but that leaves more gruesome imagery to the imagination. Very uncomfortable scenes to watch. |
| + | Willow tells Buffy over the phone, all cute-like, "they don't think my brain got mushed." |
| + | Snyder pointing out how stupid the cops in Sunnydale are. |
| + | Cruel and somewhat disturbing for Drusilla to make Giles see Jenny to get information out of him. |
| + | Drusilla continuing to kiss Giles even after they got the information out of him. |
| + | I got giddy seeing Spike bashing Angelus' head in. Sweet revenge. |
| + | Willow gets possessed by something (Jenny maybe?) and looks really creepy while doing the curse. |
| + | Buffy's mom in super-sad regret mode at the very end. |
| - | Foreshadowing |
|
| - | Quotes |
| BUFFY: | I have had a really bad day, okay? If you have information worth hearing, then I am grateful for it. If you're gonna crack jokes, then I'm gonna pull out your ribcage and wear it as a hat. |
| SPIKE: | We like to talk big. Vampires do. 'I'm going to destroy the world.' That's just tough guy talk. Strutting around with your friends over a pint of blood. The truth is, I like this world. You've got... dog racing, Manchester United. And you've got people. Billions of people walking around like Happy Meals with legs. It's all right here. |
| BUFFY: | The whole earth may be sucked into hell, and you want my help 'cause your girlfriend's a big ho? Well, let me take this opportunity to not care. |
| WILLOW: | (weakly, eyes still closed) My head... feels big. Is it big? |
| OZ: | No. It's head size. |
| JOYCE: | Buffy, terrible things have happened. What were you doing? |
| SPIKE: | What, your mum doesn't know? |
| JOYCE: | (to Spike) Know what? |
| BUFFY: | That I'm, uh... in a band. A-a rock band with Spike here. |
| SPIKE: | Right. She plays the, the triangle. |
| BUFFY: | Drums. |
| SPIKE: | Drums, yeah. She's, uh, hell on the old skins, you know. |
| JOYCE: | (unconvinced) Hmm. And, uh, what do you do? |
| SPIKE: | Well, I sing. |
| JOYCE: | Have we met? |
| SPIKE: | Um... you hit me with an ax one time. Remember? (makes an ax-holding gesture) Uh, 'get the hell away from my daughter.' |
| JOYCE: | Oh. So, do you, uh, live here in town? |
| JOYCE: | Honey, a-are you sure you're a Vampire Slayer? I-I mean, have you tried not being a Slayer? |
| WILLOW: | There's no use arguing with me. Do you see my resolve face? You've seen it before. You know what it means. |
| BUFFY: | You know I didn't do it. The police will figure it out. |
| SNYDER: | In case you haven't noticed, the police of Sunnydale are deeply stupid. |
| XANDER: | Cavalry's here. Cavalry's a frightened guy with a rock, but it's here. |
| GILES: | You're not real. |
| XANDER: | Sure, I'm real. |
| GILES: | It's a trick. They get inside my head, make me see things I want. |
| XANDER: | Then why would they make you see me? |
| GILES: | (considers) You're right. Let's go. |
| - | Score |
| 100 | P |
Represents a "perfect" score. Is near-flawless (with zero major mistakes) and has a valuable lasting impact on the series; intelligent and emotionally gripping.
|
| - | Awards |
|
| - | Screencaps |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
| - | Comments (45) |
| 1. | AmyJul 29, 2006 (Sat) | |
| WOW, I totally agree with you on this episode!!! I can't believe I've never heard of this site... its amazing wat you can find on the net. The topic I discuss with my friends is the horrible ending to chosen, the last ever episode, not only did Spike die! but there was no heroic buffyness... Personally the end of season two was 'the' best ending to a season. Becoming Pt.2 has to be my favorite television episode, I loved it so much I wanted everyone I knew to see it... But discovered sadly it does not have the same effect if you havent watch the entire Angel-Buffy relationship. I would love to here from a fellow fan of buffy! I love discussing charcaters, funny quotes and my favorite episodes. I also have to know, who do you think Buffys greatest enemy was? please let me know at freq_club@hotmail.com xoxoxo |
| 2. | KyarorinAug 29, 2006 (Tue) | |
| Yep, it's one of the best episodes. I don't know if I'd consider it my favourite, but it's pretty close. Either way though, I noticed something in this episode that bugged me a lot and you actually didn't mention it, and looking over the review, you completely omitted Spike and Drusilla from the ending sequences. But I thought I'd mention it: Spike suffocates Drusilla to get her to pass out so he could pretty much kidnap her. Vampires don't breathe. It just bugs me so much, if only because it's the only flaw I saw in the entire episode. It was so close to being completely perfect, so yeah. Anyways, rambling. I loved the review, by the way. |
| 3. | mikejerAug 29, 2006 (Tue) | |
| Looks like you're right. However, when giving an episode a P it must have no major flaws, very few minor flaws, and leave a lasting impact on the characters and/or the viewer. So when I hand out a P, it doesn't mean it is literally perfect in every way. Really, what is? :) |
| 4. | KyarorinAug 30, 2006 (Wed) | |
| There's no denying that it's perfect, I love this episode, but what I meant is that I see that moment as pretty much the only flaw, major or minor. Or I missed something, which is likely. :P Anyways, it just annoyed me so I thought I'd bring it up. I agree completely with the score. |
| 5. | DingdongSep 7, 2006 (Thu) | |
| Apart from the flaw pointed out earlier, there is one that always bugs me, why don't Spike and Angelus turn Giles to get the information from him? It's only a tiny problem, but I'd be delighted if someone had an explanation. |
| 6. | junDec 19, 2006 (Tue) | |
| Maybe they'd have to wait until he rose to get the info and they don't want to. In Angel, when they were making someone (Darla?) a vampire, they had to find a place to bury her and all of that. |
| 7. | MezDec 28, 2006 (Thu) | |
| Kyarorin, I think he actually knocked her out by putting pressure on her spinal cord - that can make people fall unconscious without affecting their breathing. Dingdong, you should remember - Spike is trying very hard to keep Giles alive, because of his deal with Buffy. |
| 8. | GerardApr 8, 2007 (Sun) | |
| I cant believe you think this episode is perfect. I think becoming part 1 is perfect and this second part just utterly disappoints and disillusions me. |
| 9. | mikejerApr 8, 2007 (Sun) | |
| Gerard, if you're to say you think my scoring is wrong, then step up and offer evidence and elaborate on why that is your opinion. Telling me this episode "utterly disappoints and disillusions" you without explaining why really doesn't give your opinion much weight. Please make a case for your opinion. My review is mine. :) |
| 10. | robgnowApr 14, 2007 (Sat) | |
| The only thing I would add is under Quotes: J: "Well, it stops now!" B: "No, it doesn't stop! It never stops! Do you think I chose to be like this? Do you know how scary it is, how dangerous? I would much rather be up in my room watching TV or talking about boys, or... God! Even studying! But I have to save the world...again!" I just love the waver that SMG gives Buffy's voice in this dramatic scene. |
| 11. | MelanieJun 25, 2007 (Mon) | |
| I completely agree...Best. Episode. Ever. I am SO glad to hear someone have the same view of Xander as I do. The handful of Buffy friends I have love him...I'm with you that what he adds to the show is great, but Xander's decisions are selfish and make him wanna slap him upside the head. |
| 12. | buffyholicJul 25, 2007 (Wed) | |
| I totally agree with the score. This episode is my number one, along with The Gift. From start to finish, we get to see amazing scenes, dialogue and comedy mixed drama. The scene you talked about, Joyce and Spike gets me laughing everytime. But for me,the scenes that affect me the most are Buffy and Joyce talk, where Joyce talks about kicking ker out really moves and of course when Buffy leaves town. Perfect episode. |
| 13. | AustinAug 22, 2007 (Wed) | |
| In reguards to the unconsious thing, it has been pointed out before that vamps DO breathe, how else could spike smoke, and how else would it have been torture for the turukon (pardon the spelling) to force his head under water? They might not have much breath, not enough to administer CPR but I think that the evdience points to BtVS vampires as being chokeable. Besides, we know vamps have blood, he could have just cut off her circulation to her brain. |
| 14. | AustinSep 20, 2007 (Thu) | |
| What doesn't make sense to me is that if Joyce had been told at one point that Buffy was the slayer, why didn't she react more along the lines of "Not that again" Admitedly, I guess they hadn't thought that far ahead and it really would have sounded weird, I Just think that it is a little continuity issue. |
| 15. | NixDec 13, 2007 (Thu) | |
| Austin, in _Normal Again_ all that's said is that she was institutionalized after she started talking about seeing vampires. I don't think Joyce has necessarily been told about the Slayer before (and if she was told in Sunnydale she was just as likely to forget it at once unless it had pretty much hit her over the head: Sunnydale Syndrome again. In this episode it *does* hit her over the head and she doesn't forget it.) |
| 16. | Woohoo1729Dec 13, 2007 (Thu) | |
| I'm almost completely positive that at this point in the series, the writers did not imagine Buffy to have been institutionalized upon her initial exposure to vampires. There's a helluva lot of little continuity issues like this all over the series because in the span of 6 1/2 years, I'd imagine that it's virtually impossible for the writers to keep track of everything that's happened to every character. Especially if they insert a historical point later in the series that they hadn't originally anticipated. Sometimes it's just not done so well. Other examples of continuity issues would be if they further develop characters that hadn't originally planned on--like Darla and Spike. If you watch Darla in BtVS Season 1 it's quite clear that she was meant to be a very different character than how she turns out in AtS. And Spike says in his first episode that Angel was his sire, which of course isn't what later turns out to be true. I'd say that it's best to just accept these things as they come. |
| 17. | BillFeb 10, 2008 (Sun) | |
| I just wanted to clear something up about this episode. The breathing thing has nothing at all to do with Dru being knocked unconscious, loss of breath is not how she was knocked unconscious. She was put in a Mata Leon, or rear naked choke, a move used in Brazilian jiu-jitsu, and mixed martial-arts. A person is knocked unconscious by this move because of the restriction of blood flow to the brain, loss of air has nothing to do with it. This issue really bugs me, because people have no idea what they are talking about when discussing this scene, and as someone that has been put in that hold and put others in that hold it is especially grating. So, remember, loss of blood flow to the brain leads to Dru being knocked out, not loss of breath. |
| 18. | NixFeb 10, 2008 (Sun) | |
| Interesting info. Of course, vampires have no blood flow either, so the pointlessly pedantic point stands. :) |
| 19. | BillFeb 10, 2008 (Sun) | |
| Vampires have to have blood flow to the brain, this much has been established a few times in the Buffyverse and it's kind of a biological thing. Without blood flow to the brain their higher brain functions wouldn't work. If they were pure demons they may not need that blood flow, but since they are still inhabiting a human body the brain needs blood flow to function. That's the real biological aspect of it. Buffyverse wise twice we have seen vampires choked unconscious via a choke hold. Also, as the season 4 opener explained, a vampire can survive without blood, but because the body would run out of blood and no blood would flow to the brain the vampire would essentially be brain dead. |
| 20. | nina Feb 15, 2008 (Fri) | |
| i agree. this is deffintly the best episode of the whole series! its amazing! with angel getting his soul back, willow saying oz when xander was there, buffy having to stab angel to save the world, joice and spike talking :) and giles being rescued best episode by far, best moment? deffintly when spike came and asked buffy to let him go and his like "let me just get rid of this one" and yes :) halarious. and shes like "you do know your a bad guy right?" yes :) best. but your an excellent reviewer :) |
| 21. | RachelFeb 22, 2008 (Fri) | |
| This is one of my favorite episodes ever too, only being beaten by OMWTF and Chosen. It was also the only episode that made me cry pretty hard. I wholeheartedly agree with every single point you made, except for the Xander thing. The only character I really, truly, hated was Riley. By the way, you're a wonderful reviewer! :) |
| 22. | NixFeb 22, 2008 (Fri) | |
| The *only* such episode? You could watch _The Body_ and _The Gift_ without tearing up? (How?) |
| 23. | wilpy1Mar 2, 2008 (Sun) | |
| While I don't think this is the best episode (I'd personally place it around 4th, with 'The Body', 'Restless' and 'Once More, With Feeling' taking the lead), I think 'Becoming Part 2' is the epitome of what BTVS is essentially about. When you say "it has everything", that's very true. Not in the sense that it has everything from car chases to flying giraffes (fun visual...), but in that it includes every aspect that defines what BTVS *is*. It's multi-genre, it's packed with gorgeous dialogue, it has beautiful feminist and human undertones, it has questionable ethical issues, continuity, great dramatic moments balanced with hilarious comedy, and, all in all, it's proficient storytelling. By the way, I'm convinced the scene between Buffy and Joyce in the kitchen is one of the best acted scenes in the entire series. SMG and KS just *nail* it. I think they feel more like a mother/daughter dynamic here than at any other point in the series. The scene's very cleverly written as well. There's a subtle "coming out of the closet" metaphor that's evident in a lot of the dialogue if you take it out of context. I think that metaphor was very suited to the in-show situation. I also love how Buffy takes charge of the entire scene in terms of ordering her mother to have another drink and not fully explaining to her what's going on, and then Joyce completely switches the roles around with her very parent-like ultimatum. It's a wonderful scene. |
| 24. | KyarorinMar 10, 2008 (Mon) | |
| I actually missed the mention of Normal Again in the review, but I did see it in the comments. My take on this is that Dawn's presence changed the course of events prior to the start of the series. Technically, by Normal Again we never saw how Buffy's parents found out about her Slayer-ness, and it's perfectly plausible that Dawn might've discovered it and then blabbed to their parents about it. Yay for the existence of a pseudo-parrallel reality. XD Also, something quick as a response to Bill: "This issue really bugs me, because people have no idea what they are talking about when discussing this scene." Since I was the one who originally brought up the chocking in this episode, I wanted to clarify: I actually do know what I'm talking about. Pre-med student. However, they don't teach martial arts in biochem, so I failed to make that connection. I also apparently missed seeing Spike's palm on Drusilla's brainstem, so my entire argument fell out the window there, heh. Anyways, thanks for bringing that up. It's neat to know where they pull their tactics from. XD |
| 25. | KyarorinMar 10, 2008 (Mon) | |
| Bah, the comment at the end of my post was supposed to be something like "Sorry for the ramble", but that got cut off due to my inability to use the copy and paste function. I also butchered the word "choking". Don't know what that was about. |
| 26. | SuzanneMay 20, 2008 (Tue) | |
| "Have you ever tried NOT being a Vampire Slayer?" is, indeed, priceless. Something my mother would say. |
| 27. | NinaaJun 3, 2008 (Tue) | |
| Suzanne, i completly agree, my mother would for sure say something like that. This episode was amazing, incredible, flawless, like seriously, it couldn't get better, this is deffintly my favorite episode followed closly by once more with feeling and i only have eyes for you, but yeah. They way it was mapped out. The torturing feeling that Buffy just killed her one true love as he got his soul back, and it raged me so much that Xander didn't tell Buffy that Angelus may get his soul back because Willow was working on it. And then by the ending we see her catching a bus, and you have the feeling where your going to attack the TV screen because of stupid Xander, and Angel dying and yeah, i really did not like Xander that season, for me he didn't redeme himself until season 7 when he told Dawn that she wasn't special but extrodinary. anyway, thats my imput. |
| 28. | TobyJul 29, 2008 (Tue) | |
| So many people out there have this as their favourite episode and I can see why - it certainly is powerful in so many ways - the emotive reaction this episode evokes in the viewer is enormous - there is not an episode out there in BtVS that is more emotionally charged than this one. This is however the reason why it is not my favourite episode - depsite the fantasy element of it, there are times during this episode where it just seems TOO real. before you jump down my throat, allow me to explain. From the start of the episode where Buffy is under arrest to the point where she is having the discussion with her mother in the kitchen to the ebding where she runs away form everyone, there are a lot of emotional scenes. A lot of tear jerking moments that make you forget you are watching television and captivate you to the point that you belive you are witnessing real life. In a program meant to be centered around the supernatural, this is something that disturbs me - in a good way of course. Like amidst all this vampire slaying and demon killing and world saving, you think "Whoa - that could actually happen!!" and the perfect little Utopia that you have created about the real world vanishes for an instant. You can take your Gentleman, your Glory, your Richard Wilkins the Third and the First and any other demon or enemy Buffy has faced - in the end they all seem timid and meaningless compared to Life itself. In fact, not one of those episodes fills me with more fear than this episdoe. The cold, harsh reality that Buffy continuously has to face in this episode is heart-qrenching and in the end, this episode makes you feel more empathy towards the characters than any other. At the end of the day, I suppose the reason why I chose "Passion" over this episode for my overall favourite is the end of "Passion" leaves me almost completely dead, hollow. Like nothing - what I have just witnessed is too shocking to really take it all in. This episode is the exact opposite - there is so much to take in, so much emotion and heartbreak and wacthing it makes me realise that the toughest demon of all is Reality. For Buffy anyway. I haven't ever cried during any of these episodes but this episode brings me closest to tears. In any case, this is my second favourite episode of the series - a truly remarkable work of art and one that lives with you long after the credits roll... |
| 29. | SanjuroNov 30, 2008 (Sun) | |
| I watched the series for the first time earlier this year, then rewatched it out of order over the last month or so. I found that I somehow liked this episode even more than I did the first time. I still rank The Body as my favorite, but I agree with your sentiments (in this review and in the Top 25 Episodes blurb) that this represents the finest mix of what makes Buffy Buffy. I also noticed how much the Buffy/Joyce scene plays into the theory that the Slayer stands for homosexuality. The "have you ever considered not being a Slayer?" and the "I didn't choose this!" really works on two levels. It's so obvious in retrospect, but I love that Joss doesn't beat you over the head with it. And the climax left me emptier than "Passion" did. Just a perfect piece of television. |
| 30. | ValDec 13, 2008 (Sat) | |
| I feel the need to criticize right now. Yes, I did love this episode and the preceding ones but one detail is bothering me A LOT (because I'm so picky). Couldn't they have asked a Romanian to translate those ritual phrases correctly?! It pains me to hear "Give the soul at him now" in my mother tongue (actually I think the gipsy woman said this, Willow's just pronouncing stuff very badly, which I get). And if they wanted it to be realistic they shouldn't even have used Romanian, but the gipsies' own language, I think they call it Rromanes. I guess it was just easier translating stuff into Romanian. If anyone's curious about what Willow says (I also found a Wikipedia page on it, but the text there is not accurate), here's the translation of the words: I beg you, Lord, don't ignore this request. Neither dead, nor of the being [I guess that being would mean living], let this orb be the vessel that will transport his soul to him. Let it be! Let it be! Now! Now! OK, irritable Romanian snob going away... be back soon. |
| 31. | RosieDec 21, 2008 (Sun) | |
| I have some problems with this episode. One, why didn't Xander tell the police that Buffy was not responsible for the attacks inside the library? Two, what was the purpose of Angelus unleashing Acathla? To unleash chaos and hell upon the Earth? The Earth is already swimming in a hellish chaos without demons - even in Buffyverse. |
| 32. | NixJan 26, 2009 (Mon) | |
| Xander probably did tell the police -- once he regained consciousness and they had a chance to talk to him. But by then, Buffy was gone to LA... note that when she gets back to Sunnydale, she '[satisfies] the not-a-murderer requirement for enrolment', as Snyder snidely puts it. Angelus unleashing Acathla, well, that's an abiding mystery, but I suspect that LibMax and/or Andrew Kern are correct: _I Only Have Eyes for You_ is the turning point, following which Angelus wanted to send the world to hell. For what reason is somewhat unclear, but I agree that it's probably an elaborate and overstated means of committing suicide with a big display. (The only thing that doesn't fit here is that Angelus has never been one for the big display: that's more like Spike... yet when Spike tries to commit suicide in s4, he tries to do it in a deliberately *understated* way, falling on a stake in private. Strange.) |
| 33. | EllieJan 29, 2009 (Thu) | |
| This episode is definitely BTVS in its prime. For me, there were two heartwarming moments in this episode: Xander telling Willow that he loved her, and Buffy realizing that Angel was back. And immediately after both heartwarming moments comes the heartbreaker: Willow asks for Oz, and Buffy realizes she needs to kill Angel. Both of their expressions just break my heart everytime I watch it. I never let the credits roll after a show is over, but I just couldn't find it in myself to move to turn off the TV after this episode ended...leading my to see the little Grr Argh guy say "Oh, I need a hug!" which was the only thing that brought me back to the real world and allowed me to go on living. Wonderfully written and acted. |
| 34. | SamMar 7, 2009 (Sat) | |
| It's true. Becoming Part 2 is, without question, the emotional high point of the entire series. When Buffy impales Angel and Christophe Beck's hauntingly beautiful score dissolves into Sarah MacLachlan's "Full of Grace", we ALL burst into tears. Then, when Buffy left town, the heartbreak was complete. We were devastated... and we couldn't wait to find out what would happened next. |
| 35. | EmilyMar 14, 2009 (Sat) | |
| There are no words. Literally- just no words. |
| 36. | RosieApr 13, 2009 (Mon) | |
| Xander never said anything to the cops about Buffy being innocent . . . even after she ran off. She returned to the hospital to see Willow. Both she and Xander (who was conscious by then) could have told the cops at the hospital that Buffy was innocent. They would have eventually exonerate her. But the writers didn't go that way. Why? It's so stupid.
And why would Angelus want to destroy the world? A grand gesture of suicide? Angelus? |
| 37. | StilichoApr 29, 2009 (Wed) | |
| I agree that this is probably the one episode that reaches my emotions more than anything else. I am glad you point out why Buffy had to kill Angel; still many reviewers don't really get it and think that only his blood would have been needed, and that she killed him perhaps because for the evils Angelus committed before. But in the end, is is not the demonic action that is causing the fundamental slaying, but simply the imperative obligation of being the slayer, and the obligation to do what is needed to save the world. But the same way it is expressed how hard life and facing reality, facing choices and consequences can be. A grand design that is showing through the whole of this series, with an apogee in this episode. Great! Many thanks for the great work of writing these reviews. Very inspiring indeed! |
| 38. | ShannonJun 3, 2009 (Wed) | |
| @Rosie - good point about Xander failing to tell the cops that Buffy is innocent. When she comes to the hospital in disguise, the cops are trolling the hospital and he gives her a big disguising hug because he's worried about them seeing her too. Why wouldn't he have taken the time to let the cops know it was, let's say, a gang high on PCP, rather than letting Buffy walk around as a fugitive. I'm also bothered by the Angelus/Acathla point, and agree that Angelus attempting to commit suicide is unlikely. Wouldn't the torture and murder of humans be a more effective revenge for being made to feel like one of them than just putting them all out of their misery? |
| 39. | DramaPoetteJun 10, 2009 (Wed) | |
| Like everyone else, I have nothing negative to really say against this episode. However, while it's one of BTVS's best episodes, it's not one of my favorites. It's not even in my top 10. I guess it's just a matter of personal taste. I found it pretty effective the first time I saw it, but it lost some potency over time for me. I guess it's because I never got on the Big Epic Bangel Love Train. Their relationship never really interested me, so I didn't feel too horrible when Angel was "killed". I only felt bad because of the way it affected Buffy. Some of the effect is also lost because I know that Angel doesn't stay dead and Buffy eventually moves on. And I never completely bought DB's performance in his death scene. When the portal is sucking him in to me he looks a little stiff and awkward with the way he's just standing there with his arm stuck out. It pulls me out of the scene. However, I will say that I love the Buffy/Joyce scene. It really made an impression on me because I could so easily imagine an argument with my mother like that. When Buffy told Joyce to "have a another drink" and the Joyce threw that glass, I was like, "Whoa," and it felt very authentic. That one comment that makes your parent snap and you know you've crossed a line. Of course all the Spike stuff is great too. I do see where all the love for this ep comes from, I really do and I very much enjoy it, but it just doesn't quite do it for me. It's ok though; I've got other episodes that do. :) |
| 40. | ShirinJun 11, 2009 (Thu) | |
| First off, I totally agree: this is my absolute favourite episode of Buffy and made me love this show deeply, but some people don't seem to have heard Angelus: Acathla would swallow the world and into hell, since vampires are demons, they wouldn't be harmed - he wants to end the world, not his life, I think. |
| 41. | SeleneJul 8, 2009 (Wed) | |
| I actually have some issues with this episode, primamrily with the fact that Buffy actually believed that Willow sent the message for Buffy to 'kick Angel's ass.' Willow is the only one who has wholeheartedly supported Buffy's relationship with Angel and wanted to find a way to save Angel. She never blamed Buffy for not killing Angel before he killed Jenny, when others did.
My other issue is with the ending. I realise that Buffy is devastated by what she had to do with Angel, but to not make sure her friends, her Watcher were okay? In FH&T she throws it in Faith's face that Faith didn't take care of her Watcher, but did Buffy? Looking at him from across the street doesn't count. She knew that Angelus had him for hours and wanted information from him and would do pretty much anything to get that info. Did she bother to find out if he was truly okay? No. Plus she saw her best friend in a wheelchair. Did she bother to find out why? Or how long Willow would be in the chair? No. So it's no wonder they weren't falling all over themselves when she returned. She didn't care enough about them when she left, why should they make a fuss when she comes back? |
| 42. | Jessica MCJul 12, 2009 (Sun) | |
| I liked this episode.I thin Once More With Feeling should be in First, but diffidently in top 10. I feel sooooooo bad for Buffy. I love spike and Joyce's talks.Oh,Selene, Buffy had a lot to deal with, she saw that they weren't dead.She was kind of pressed for time ,with the end of the world and all. She had ober issues when she had to kill Angel,when he got his soul back.She was only thinking "I have to go NOW!!!" I think your reviews are awesome by the way. Did you ever think of being a journalist? |
| 43. | edwardJul 21, 2009 (Tue) | |
| I am a 23 yr old male. and am new to the buffy scene. having finished the first 3 seasons and am in the middle of the 4th season now. that said it took me quite a long time to get into the show. and reading how you got into it MIKEJER. It is almost exactly how i got into it. apart from one thing. at the time i started watching buffy I brought season 1 and half of season 2 in volumes. as i finished season 1 i felt mixed emotions. i liked the characters. the humor was whitty but it still failed to really 'HOOK' me so to speak. then i watched the first 10 episodes of season 2. and as you mentioned alot of those eps are verry mediocre so i gave up on the show and stopped watching. flashfoward to now 2 years later for some reason i felt the urge to give it another shot [half of that was the fact i watched almost all of season 1 of ANGEL and unlike buffy got hooked on it from ep 1 and felt compelled to see if buffy gets any better] thus i brought season 3 of buffy. and got hooked from ep 1. everything clicked. this was a feeling that i felt was missing through s1 and first half of 2. [btw i brought season 3 cause i thought that since my opinion of s2 on that point was so poor my opinion was i hadnt missed much. boy was i wrong!] as i reached the halfway mark on the 3rd season i was browsing on the net and stumbled onto your site. and read your article of discovering buffy. and was VERRY interested when you mentioned it was the later half of S2 that turned you into a fan. with the angelus arc. after some consideration i decided to buy the season. and i must say the angelus arc really fully turned me into a fan too! the amount of emotion and depth in the season was just astounding. and it was these final 2 episodes. becoming part 1 and 2. I really understood what this show was about. part 1s brilliance was the character flashbacks and just how deep buffy and angels past intertwines. angels need to overcome his obstacles and be their for buffy made him who he is today and not started his journey but pushed the play button in a matter of speaking. his life upto that point was still. absent. he had no purpose nor drive till buffy. and on the other side i did like the brief scenes of buffy showing how cordelia-ish she used to be. now part 2. it was a beautiful climax of everything that happend this season. and the ending was extremely moving. the acting and raw emotion between geller and boreanaz was intense. magical'innocent and impovering. tears streamed down my face when the credits rolled. and I am not ashamed to admit that' the care and masterwork talents that was put into this episode just shows completely. and mikejer i can absolutely understand why you rated this as number 1 buffy episode, because after i finished this episode i sat their numb for minutes. looking at the screen. frozen in silence and then i thought to myself' ...i am a fan! |
| 44. | KateSep 5, 2009 (Sat) | |
| I was thinking that you should check out a website called 'Buffy phenomenon'. It ranks all episodes, and Becoming, part 2 is number 4. That may seem unfair to you, but then it says something about Loyalists and Jumpers of the show. 'Jumpers' meaning Jump the Shark.
For Jumpers, Becoming, Part 2 is their favourite. For Loyalists, and at the top of the general chart is OMWF. This episode is excellent, in every single way, but surely you love this episode only because of its emotions? Not the plot, or the dialogue, but how it makes YOU feel watching it? Most people enjoy episodes for emotions, but think about technicality. Is becoming, part 2, really that excellent? (of course it is) |
| 45. | ShadivaOct 21, 2009 (Wed) @ 8:05pm | |
| Just saying, in the final sword fight between Buffy and Angelus, Buffy's hair kept on changing from being held together in a ponytail to being held up in a clip. It was quite distracting. Also, you could easily tell Mike Massa from David Boreanaz. |
| - | Post a Comment |
|
Name
(NOTE: Before posting your opinion on this episode, please remember to read the review, be respectful of opposing opinions, and to competently use at least basic spelling and grammar. The administrator has the right to remove a comment at any time.) (*** copy your comment in case of failure!!! ***) Security Code |